The Expression of Empfindsamkeit in C. P. E. Bach's Six Symphonies Wq. 182
碩士 === 東吳大學 === 音樂學系 === 95 === As a representative of Northern German composers in the pre-classic era, C. P. E. Bach's contributions include the art of keyboard playing, the establishment of sonata form, and his empfindsam style, or sentimentalism. The latter was mainly expressed in his keybo...
Main Authors: | Ching-Hong Kao, 高錦弘 |
---|---|
Other Authors: | Chi-Jen Chang |
Format: | Others |
Language: | zh-TW |
Published: |
2007
|
Online Access: | http://ndltd.ncl.edu.tw/handle/76961382037980423713 |
Similar Items
-
Leon Crickmore-C.P.E. Bach: Six Harpsichord Concertos [Wq. 43i], Jane R. Steveris-The Keyboard Concertos of Carl Phillipp Emanuel Bach
by: Chester Fanning Smith
Published: (2019-11-01) -
The Study of and the Research on the Interpretation of Carl Philipp Emanuel Bach's Flute Concerto in G Major, Wq. 169
by: Mei Yi Lee, et al.
Published: (2010) -
The Mozart family and Empfindsamkeit : enlightenment and sensibility in Salzburg, 1750-1790
by: Toepelmann, Viktor Yuen-Liang
Published: (2016) -
C.P.E. Bach's flute and continuo sonatas (Wq.125-129, 134) : rhetorical processes used to convey a religious understanding and implications for performance
by: McNulty, Sarah
Published: (2010) -
Analytical of C. P. E. Bach: Sonata for Flute and Piano, Wq. 86. H. Büsser:“Andalucia” for Flute and Piano, Op. 86. E. Schulhoff: Sonata for Flute and Piano.
by: Chen, Mei-Chu, et al.
Published: (2018)