The rationale and intertation of composition

• Main Authors: Pol-Chien Chu, 朱伯健
• Other Authors: 吳叠
• Format: Others
• Language: zh-TW
• Published: 2008
• Online Access: http://ndltd.ncl.edu.tw/handle/02053039016873330735

碩士 === 國立臺灣藝術大學 === 音樂學系 === 95 === Up around 20th century, the development of western music has flourished into a 　paramount status. After 1950s, with the advancing development of computer 　technology a new genre of the “electronic music” emerged which provides the 　musicians a whole new spectrum in terms of musical language and structure. 　Although the music of this period is highly experimental and still needs to be 　exploited, it opens up new possibilities and provides new ways of thinking in 　music making, and the journey of exploring still carries on nowadays. 　 　In my thesis, there are two main focal points. The first is to probe into the 　musical language and forms of postmodern contemporary music through research 　and references. And the second is the compositions which I composed by 　employing different compositional theories and techniques.