The Performance Interpretation of Beethoven's Cello Sonata No.3 in A Major Op.69

碩士 === 國立臺北教育大學 === 音樂教育學系碩士班 === 95 === The genre of the Cello Sonata is a difficult medium, because the low notes of the cello tend to get covered by the bass of the piano, and balance between the two instruments is always precarious. Ludwig van Beethoven was the first great composer to explore t...

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Main Authors: TAI TZU-YU, 戴姿玗
Other Authors: 曾素芝
Format: Others
Language:zh-TW
Published: 2007
Online Access:http://ndltd.ncl.edu.tw/handle/67892786895764346008
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spelling ndltd-TW-095NTPTC2470122016-05-25T04:14:20Z http://ndltd.ncl.edu.tw/handle/67892786895764346008 The Performance Interpretation of Beethoven's Cello Sonata No.3 in A Major Op.69 貝多芬A大調第三號大提琴奏鳴曲作品六十九之演奏詮釋探討 TAI TZU-YU 戴姿玗 碩士 國立臺北教育大學 音樂教育學系碩士班 95 The genre of the Cello Sonata is a difficult medium, because the low notes of the cello tend to get covered by the bass of the piano, and balance between the two instruments is always precarious. Ludwig van Beethoven was the first great composer to explore the possibility of cello sonatas, and his works for cello not only occupy a very unique place in history, but also are considered as the most important in the repertoire. When Beethoven first started writing the cello sonatas, his intention was for the piano to be accompanied by the cello, which was the orthodox form of sonatas written at the time. However, as he continued to write, he began to treat the cello as the equal partner as the piano in the Cello Sonata No. 3 in A Major, and allowed the two instruments to work together as equals. Both Classical and Romantic tendencies co-exist in Beethoven's music. In the case of this Beethoven’s cello sonata, it would be more appropriate to see Classicism and Romanticism as concurrent tendencies rather than consecutive periods. Although his use of the sonata form is quintessential Classical style, Beethoven turned to new ways of expression and new kinds of content. We can find many elements of this trend in this sonata, such as longer melodic lines, richer harmonic progression, thicker texture and more complicated technical requirements, which are refreshing, original, adventurous and significant even in today’s standards. The goal of this paper is to present this masterpiece from historical, technical and interpretive point of view. As a cellist, the author wishes to explore the elements that make this cello sonata unique and share those qualities with the readers. Key Words: Beethoven, Cello Sonata, Sonata No. 3 for Piano and Cello 曾素芝 2007 學位論文 ; thesis 59 zh-TW
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description 碩士 === 國立臺北教育大學 === 音樂教育學系碩士班 === 95 === The genre of the Cello Sonata is a difficult medium, because the low notes of the cello tend to get covered by the bass of the piano, and balance between the two instruments is always precarious. Ludwig van Beethoven was the first great composer to explore the possibility of cello sonatas, and his works for cello not only occupy a very unique place in history, but also are considered as the most important in the repertoire. When Beethoven first started writing the cello sonatas, his intention was for the piano to be accompanied by the cello, which was the orthodox form of sonatas written at the time. However, as he continued to write, he began to treat the cello as the equal partner as the piano in the Cello Sonata No. 3 in A Major, and allowed the two instruments to work together as equals. Both Classical and Romantic tendencies co-exist in Beethoven's music. In the case of this Beethoven’s cello sonata, it would be more appropriate to see Classicism and Romanticism as concurrent tendencies rather than consecutive periods. Although his use of the sonata form is quintessential Classical style, Beethoven turned to new ways of expression and new kinds of content. We can find many elements of this trend in this sonata, such as longer melodic lines, richer harmonic progression, thicker texture and more complicated technical requirements, which are refreshing, original, adventurous and significant even in today’s standards. The goal of this paper is to present this masterpiece from historical, technical and interpretive point of view. As a cellist, the author wishes to explore the elements that make this cello sonata unique and share those qualities with the readers. Key Words: Beethoven, Cello Sonata, Sonata No. 3 for Piano and Cello
author2 曾素芝
author_facet 曾素芝
TAI TZU-YU
戴姿玗
author TAI TZU-YU
戴姿玗
spellingShingle TAI TZU-YU
戴姿玗
The Performance Interpretation of Beethoven's Cello Sonata No.3 in A Major Op.69
author_sort TAI TZU-YU
title The Performance Interpretation of Beethoven's Cello Sonata No.3 in A Major Op.69
title_short The Performance Interpretation of Beethoven's Cello Sonata No.3 in A Major Op.69
title_full The Performance Interpretation of Beethoven's Cello Sonata No.3 in A Major Op.69
title_fullStr The Performance Interpretation of Beethoven's Cello Sonata No.3 in A Major Op.69
title_full_unstemmed The Performance Interpretation of Beethoven's Cello Sonata No.3 in A Major Op.69
title_sort performance interpretation of beethoven's cello sonata no.3 in a major op.69
publishDate 2007
url http://ndltd.ncl.edu.tw/handle/67892786895764346008
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