「Continuity and discontinuity」 —Experimental Animation for Narrative Research of Time

• Main Authors: Yen Shi Chen, 陳妍希
• Other Authors: Shyan Bin Jou
• Format: Others
• Language: zh-TW
• Published: 2006
• Online Access: http://ndltd.ncl.edu.tw/handle/67212493243182185601

碩士 === 國立臺灣師範大學 === 設計研究所 === 95 === The might of image strengthens constantly. Vision and video/audio both combine on dual senses that make people fascinated by what they see and get. The developments of computer animation are irresistible at present day. It provides the brand new sight experience activated on spread mass media and related art domain. Basically, time elapses linearly. Animation Itself is built in a complete frame structure; i.e., from start to the end. The creator applies the pictures comprised of different time/space to make up a movie. The jump style binds to time sequence just as linear-structure time does. Linearity itself wraps up non-linear structure forming a marvelous contradiction. This study proceeds to a narrative statement to probe into the animation through the investigation of movie and language basics. This study generalized 3 conclusions as stated below： １. The nature of story-told characteristics for film makes it feasible for studies on narrative structure of animation ２. The different permutation and combination of story sections results in differentiate compilations of content. 3. Digital images with the enclosure of physical goods make more possible appearances of experimental animations. Keywords：Experimental animation、Narrative structure of time、drawn animation、Paradoxical structure、model animation