The Evolution of Animal's Picture—A Study of Colored Ink Painting by Hwang Iong-Ru

碩士 === 國立臺灣師範大學 === 美術學系 === 95 === This search is about the changes of the meaning and skills in" Animal Painting" from ancient time til l now. Weather East or West, human lives are closely connected to animals. They have to rely on each other. From both their scholars' theory, we ca...

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Bibliographic Details
Main Author: 黃鏞儒
Other Authors: 李振明
Format: Others
Language:zh-TW
Published: 2007
Online Access:http://ndltd.ncl.edu.tw/handle/41893845105688110891
Description
Summary:碩士 === 國立臺灣師範大學 === 美術學系 === 95 === This search is about the changes of the meaning and skills in" Animal Painting" from ancient time til l now. Weather East or West, human lives are closely connected to animals. They have to rely on each other. From both their scholars' theory, we can realize that people respect and treasure the mother nature. However, this value has been disregarded nowadays. That' s why I do this research. I try to put the development of Animals Painting through the ages in order, represent it realistically, blend with Chinese traditional spirits of pen and ink, and express personal feelings and values. This essay is based on " history research method" , analyzing, comparing, inducting and synthesizing the different theory and forms between traditional and modern " Water-ink Painting. " Through the process, I hope to give new interpretation to the paintings. This search focus on the development of Chinese animals painting style from long time ago till now, traditional culture symbols, and esthetic sense for modern animal pictures, and putting personal creative concepts into practice. This three parts are divided into six chapters, as follows. Chapter 1: Introduction including research motivation, purpose, contents, area, and relationship between research and creation. Chapter 2: 1.The painting styles of the past dynasties birds and beasts of China are developed, probe into the formulation in history of birds and beasts with the document works, if from sprout to the ripe , depend on course of development during nature and independent composition , conversion of practicability, and the works enumerating the ancient painter confirm . 2.The symbols of the traditional birds and beasts are and stereotyped, it possesses the feeling of sending with ecological humanity, different birds and beasts reside different personalities and beautiful imagination , enrich the also limited symbol meaning. Chapter 3: Understand modern domestic animal why beast draw aesthetic angle and produce , and culture think and how 's catalysis aesthetic basic change does it criticize. In addition, because the artistic expression throws the pulsation of the contemporary society, in ecological consciousness surging era atmosphere, artist contemporary a great deal of phenomenon throw what emotion and conduct does it produce with this, and how audience react ! Chapter 4 , 5: Individual creates the analysis of the idea and practises the appearing of the result, besides explaining that the idea and intension , choice of creating subject matter and picture form that individual creates appear, and explain the skill and technique , matchmaker material used and picture symbol ,etc. when the expression idea , displaying way and creating of each of works exhaustivly. Chapter 6: Conclusion part, appear mixedly through the source and course and relation , picture and symbolizing deepening of eastern aesthetics to the birds and beasts, distinguish individuals and create the thinking by this, expect not to demonstrate with the works that were annotated in the past in affiliated era.