| Summary: | 碩士 === 國立臺南大學 === 美術學系碩士班（93學年度~） === 95 === Art creations, are always the effective tools which can release the mind and soul of oneself. By the touch of my memory, a progress state from learning, experimenting to creating, the creation process of myself from 2001 to 2006 can be reviewed. To recall and exam those creations of the past tumults and the short contact of all art types, and leads to the flat, then to the complex creations, finally, the realistic world is virtually built up by paintings, mix-medium and images.
This thesis begins from introduction that explains the motive, purpose, methods and procedures of this creation research. The main context includes 4 parts: Chapter 1, conclude the processes and faces of oneself’s exploring creation by tracking the creation background. Chapter 2, based on the “memory”, the related theory is explored and developed to the creation concept of “virtual reality” by incising aesthetics, philosophy, cognition psychology, …etc. Chapter 3, by the linkage the memory pieces of reality and fabrication, the creation concepts, material and practical methods are then developed and then outline the whole picture of self’s art. Chapter 4, is focusing on my monographic creations: the creation language, the contents and the form of “2005-2006”; the analysis of the creation motives and the expression points of “leaves & imprints”, “living objects” and “shadows” series. Finally, after review the key points of the thesis and what I have learnt, an appeal to cherish nature and life has been made.
Although the tangible pieces have been completed, the accumulation of invisible memories never discontinue during the art development and will be the abundant references of my creation research in the future.
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