The Paranoid Critique of Digital-Image :The analysis of self-growth process

• Main Authors: Hung, Chi - Ching, 洪吉慶
• Other Authors: Chang, Po - Yan
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/25092222859096439197

碩士 === 國立高雄師範大學 === 視覺設計學系 === 95 === “Digital Image” generalizes the using of computers, digital cameras and scanners to transfer the image to PIX combination formed by digital signals. However, those signals can only be restored to visible image through computers and its peripheral. In recent years, the rapid progress of computer technology has offered the convenient platform for digital image; its convenient transmission features also bring the great change to the traditional visual medium. The maturation of digital image software facilitates the manufacture of the digital image; it also promotes the prevalence of non-reality performance style digital image . Such change makes another great stride for the development of human visual transmission since the invention of photography. To sum up Salvador Dali’s “Non-reality performance style” and the celebrated “The Paranoid Critical Method”, the elaborately designed image frantically authentically displays the concrete non-reality image in order to keep the cognoscible combination patchery of the concrete image, and to integrate the subconscious self-reflection and persistent critique of the creator. And it also explores the individual’s subconscious paranoiac enthusiasm for visual arts since childhood, and draws a conclusion to different themes such as entanglement、antagonism、breakup、fermentation and hope It is to apply the recent digital image to display the subconscious image; and it becomes the medium of the inner reflection and external communication for the creator, using digital image to preserve the testimony and trace for self-growth and the paranoia of the visual image.