The Research of the Folk song Melody Comparability Between Fu–lao and Hakka

• Main Author: 李永奕
• Other Authors: 簡上仁
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/43055590652341774900

碩士 === 國立新竹教育大學 === 音樂學系碩士班 === 95 === Abstract From the characteristics in the folk song melody in the Han nationality in Taiwan; Taiwan Fu-lao，and Hakka，folk song belong to the same tonetic languages,and the languages has the variations in the tonetic interval ,so the assumption about the research about the folk song melody including the gamut﹑the scale﹑the interval﹑the mode﹑the tone character and the variant trend in the folk song melody should be effected by the “ language tone”;and the development about the form in the folk song also has the effect from the syntax and the function words in the“libretto form” .The research follows the orrelation about the tonic structure and the article also probes the analysis and the comparative study,and also leads the meaningful results about the characteristics in the two folk song melody . The research adopts the detailed outline ,and discourse in the seven chapters : the first chapter is preface includes the motive about the research﹑the subject and the scope also the retrospect in the documents and the method in the study .The second chapter probes the Taiwan Fu-lao，and Hakka，folk song,and the classification about the contents in the Taiwan Fu-lao，and the Hakka，folk song,and also probe the tonic structure and the correlation in the “libretto form”and the“language tone.” The third chapter is the the analysis about the phenomenon of the folk song melody ,and from the different libretto﹑language system﹑melodies,and the different style from the performing artists to compare the tonic differences,and also leads the variant conditions about the tonic framework.The fourth chapter is the analysis about the Hakka folk song melody,and the chapter is free from the bondage about the sections,and to analyze the Hakka folk song melody and the music contents and the language tone and the melody tone,and to list the table to compare the information in the melody tone.The fifth chapter is the analysis about the Fu-lao folk song melody,and also is free from the bondage of the sections ,and analyze the Fu-lao folk song melody and music contents and melody tone.The sixth chapter is the comparison about the Fu-lao and Hakka folk song melody and from the data extract from the other chapters to find the similarities and dissimilarity between the Fu-lao and the Hakka folk song melody.The seventh chapter is the conclusion and the suggestion,and leads the meaningful results to generalize integratet to make suggestions to the later study. From the research ,the“libretto form”and “language tone”have the close relationship with the denelopment with the melody tone ,and from the two systems the ratios of the melody appearances are the same,and the relationship between the language tone and melody tone is harmony,and the structure and the style share the same characteristics.And the melody structure is effected by the language tone and libretto form,and most of them have fallen into the patterns and modes from the process of the passing time,and the different chacter between the folk song melody.