The Modern Transformation of art exhibitions and criticism in Republican china:western painting in Shanghai region
碩士 === 國立中央大學 === 藝術學研究所 === 95 === This thesis aims to discuss the establishment process of the “Art,” which took the Western world as its structural references, in the framework of the art exhibitions and criticism that took place in the Shanghai region in the early 1920’s. The 1920’s were a stage...
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| Format: | Others |
| Language: | zh-TW |
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2007
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| Online Access: | http://ndltd.ncl.edu.tw/handle/82738580015741348887 |
| Summary: | 碩士 === 國立中央大學 === 藝術學研究所 === 95 === This thesis aims to discuss the establishment process of the “Art,” which took the Western world as its structural references, in the framework of the art exhibitions and criticism that took place in the Shanghai region in the early 1920’s. The 1920’s were a stage where the Western paintings began its fervent activities in China. The Western paintings at this time were no longer focusing on the functional techniques as they used to be. The aesthetics of art were becoming more and more important by the day. In the 1920’s art exhibitions and criticism were the focus of the development of Western paintings, other than the intent to bring art into society with the display of artistic objects to the public. The public display of art helped bring up wide discussions of artistic issues in the society, and it was under this kind of environment that the artistic vitality and the social influences were at their most active.
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