Weaving landscape order between artifacts and environment

• Main Authors: HSU FANG YI, 徐芳怡
• Other Authors: CHANG CHI YI
• Format: Others
• Language: en_US
• Published: 2006
• Online Access: http://ndltd.ncl.edu.tw/handle/66543109510121938262

碩士 === 國立交通大學 === 建築研究所 === 95 === Weaving landscape order between artifacts and environment The earth breeds the life. Organisms are living interdependently. The artifacts set in the natural world. It should have some contrariety and grows more flexibility. Wherever we are, we would bring vitality for the space as long as we live in the space. As like flowing in the medium with breathe and have relationships with environment. The verbs "weave" is symbolized that natural world and artificial spaces are living interdependently. All of that is an organized system like a tight and interlaced fancywork, which includes the gradation of pattern and the weaving order. To translate into spatial structure, I consider different program of interlace and site context. Therefore, my works reflect the astatic relationships between subject and object. In the following cases, I try to correspond the site conditions from the module, pattern and forms. Besides, I discussed the flexibility and the timeliness of spaces in the material and structure, and also explored more possibilities about feasibility and timeliness in spatial structure. Chapter 1 : Searching for the spatial symbol from memory. / Da ping ding cantonment planning,2004/ This is a rebuild case which located in Miao-Li. For the unstable environment of transition which was requested to put new program into the site.I would like to discuss how to transform the local element into the living space. Therefore I create a new path system, and afterward I construct a new landscape character from the fragmented mass. Chapter 2 : The generation of action in a changeful environment. /A team work for the participation of the workshop in "Sets alluvium", 2004/ This project deals with hard and unstable situations of floods .Our strategy is to fit different programs with module structure into space. In addition to that, we organized a new system to correspond with the landscape. Chapter 3 : Treating of geometric organization and the flexibility of space. /Far-eastern international competition award, 2005/ The main idea for this project is coming from material of familiar daily life. We attempt to break the preconceived ideas of fixed architecture space therefore try to find out yet more friendly and intimate material. Consequently in this research, we study about the construction of soft skin material, and then we create a flexible landscape with geometric rhythm. By this way, we explore more and more possible about relationships between humanity and space construction. Chapter 4 : A mode composed in a group that was embedded to the living condition. /The entrance planning of TADA center in Taichung, 2006/ In this project we try to found out a landscape mode that is composed in a group. And it also stands on the systemic meaning. By this way, we find some orders between the pattern and the living conditions. After that we embed the behavior into the site conditions and regulated the possibility of programs. Therefore, a new order was represented in the spatial construct. Chapter 5 : The existence and argument between natural and artifacts. /A project of meditative space in NCTU, 2006/ This project is base on the Meditation function that is also a basis we treating of the site conditions. Firstly, we defined a main value of the design. Then we sculpt the boundary between artifacts and environment according to the living geography. By this way, it composed a fluid form blurring artifacts and environment.