The interaction and diosmosis between Min-nan Opera and Hakka Opera in Taiwan──a survey among Tao-hua-guo-du,Shi-ba-mo,and Bing-zi-ge.
碩士 === 銘傳大學 === 應用中國文學系碩士在職專班 === 95 === The studies of the thesis are Tao-hua-guo-do, Shi-ba-mo, and Bing-zi-ge. The reason is that these plays exist in both Minnan’s drama and Hakka’s drama. The thesis discusses about the relation and interaction among them by their origins, developments of plots,...
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| Format: | Others |
| Language: | zh-TW |
| Published: |
2007
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| Online Access: | http://ndltd.ncl.edu.tw/handle/3fyf5d |
| Summary: | 碩士 === 銘傳大學 === 應用中國文學系碩士在職專班 === 95 === The studies of the thesis are Tao-hua-guo-do, Shi-ba-mo, and Bing-zi-ge. The reason is that these plays exist in both Minnan’s drama and Hakka’s drama. The thesis discusses about the relation and interaction among them by their origins, developments of plots, and style of performances.
Here are the main points about each chapter.
The first chapter is an exordium about explaining the motif, discussing the achievements of the previous research, and confirming the directions of the thesis. The second chapter is about the interaction between Minnan’s and Hakka’s drama and play. The third chapter focuses on Minnan’s and Hakka’s traditional play – Tao-hua-guo-du. The fourth chapter focuses on Minnan’s and Hakka’s traditional play – Shi-ba-mo. The fifth chapter focuses on Minnan’s and Hakka’s traditional play – Bing-zi-ge. The sixth chapter is the conclusion about the achievements of the thesis.
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