Make a Comparison on Craft Designof Cloisonné Enamel－Between The Ming and Ching Dynasties

• Main Authors: YANG CHING HU, 楊慶湖
• Other Authors: 呂明燦
• Format: Others
• Language: zh-TW
• Published: 2004
• Online Access: http://ndltd.ncl.edu.tw/handle/18671578463536515665

碩士 === 大葉大學 === 造形藝術學系碩士在職專班 === 95 === ABSTRACT Enamel craft has been brought to China for several centuries, absorb and interfuse the characteristic of China and foreign countries, and already become some kind of famous Chinese treasure. In order to limit this research in the Ming and Ching Dynasties and choose the National Palace Museum collection as example, because of its information collected is convenient, and evaluated the utensils is easy. This research article have made a description on the motive, the goal, the research method, and the research scope one by one, as well , briefed the origination and development of the metal craft and the enamel craft in China, the material and technique, the official manufacturer system and the folk workshop situation, helped the reader understand the develop details of the cloisonné. Furthermore, focusing on the background and the craftsman working conditions, I chose the representative enamel utensils in Ming and Chin Dynasties, to evaluate and compare its difference according to three aspects, the external form, the pattern and the color separately. This research found the form, pattern and color of the enamel from Yuan to early Ming dynasty developed approximately the same. Most of imitation design are by copperware of antiquities, more patterns with lotus, and some with chinese style flowers for beautification. The enamel color is bright and gorgeous. Mid-Ming Dynasty and late, the cloisonné manufacture appear breakthrough. The shape and decorative design are largely developed, but the color is in the stagnant condition. Chine-Lung is the extraordinary splendor of cloisonné in Ching Dynasty. The cloisonné form, pattern and color are greatly changing. The large-scale utensils appear and adapt to daily life. Because of enamel material source is rich, the multi-colors are diverse, but gradually light than those in Ming Dynasty. Key Words：National Palace Museum, Cloisonné, Enamel