Vitalization of Community Development through Community Arts

碩士 === 中原大學 === 室內設計研究所 === 95 === Taiwan government and private organizations in recent years have actively boosted community infrastructure activities, which include community festival of culture and arts, arts festival, townscape renaissance, public arts, rebirth of historic sites, Adaptive Reuse...

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Bibliographic Details
Main Authors: Yu-Ni Chan, 詹雨妮
Other Authors: Boulin Hu
Format: Others
Language:zh-TW
Published: 2007
Online Access:http://ndltd.ncl.edu.tw/handle/34451446737987945660
Description
Summary:碩士 === 中原大學 === 室內設計研究所 === 95 === Taiwan government and private organizations in recent years have actively boosted community infrastructure activities, which include community festival of culture and arts, arts festival, townscape renaissance, public arts, rebirth of historic sites, Adaptive Reuse of Public Deserted Spaces and local festivals. The activities are to positively further the consolidation of community inhabitants’ consciousness and community development in response to the changes of time. The significant role of “community arts” can be recognized through these activities. Many emerging communities strengthen the community cohesion via the interaction and participation in each type of arts. During the process of each community infrastructure, arts presentation in different communities reflects their own distinguishing features, as well as becomes a method for industrial promotion. This research discovered that “community arts” were used in some cases of community infrastructures in Taiwan. Therefore, researchers attempted to examine the process, strategies and effects of community infrastructure activities in Taiwan by literature review and interview analysis. The study purports to clarify what artistic characters the new form of “community arts” has, which become a motivator influencing consolidation of community consciousness. In addition, researchers carried on deep interview with communities and groups having strong community consciousness and concrete presentation of community arts, including Baimi community, Taomi community, Li-Shiang-Guo art neighborhood, Jin-Ling-Yuan community, Meng-Shiang community and Fang-Lin community. They also discovered that community arts rely on the originators’ strong sense of mission; community inhabitants must consolidate their consciousness, not make interest their priority and work together on activities regarding community arts. It is expected that potential creativity and consciousness of community inhabitants can be inspired during the process. Finally, this study worked out reference-valued patterns for community arts by using pattern language. The patterns are as follow: 1. Marketing pattern for industrial promotion in arts by taking Baimi community as an example; 2. Eco-art pattern which takes Taomi community as an example; 3. Artstreet construction by taking Li-Shiang-Guo art neighborhood, Jin-Ling-Yuan community, Meng-Shiang community as examples; 4. Pattern of creativity in life and service learning and family growth group which takes Fang-Lin community as an example. Researchers gathered the successful methods for activating community infrastructure as a reference for future community infrastructure.