| Summary: | 碩士 === 長榮大學 === 視覺藝術研究所 === 95 === The Analysis of the Effect of
Colorful Dimension
Abstract
Arnheim, Rudolf (1904) said “work of art is to describe essential of the reality so as to pick up the most proper form in the complex world”. This concept emphasizes the essential value of painting with “color” and “form” in various factors of painting, which is to analyze “tendentious tensility” of color space hidden in painting on basis of one’s own experience of life, personnel style and recombination of “color” and “form”. The author, basing on such concept for consideration and breakthrough, transforms it into his own techniques of oil painting. Meanwhile, the author tries to present the atmosphere characterized by south Taiwan with color tolerance while supported by stable scale of painting structure magnified or simplified, so that painting is more interesting.
This paper analyzes the modern painting works and confirms the effective layout of color so that color is corresponding to its position in accordance with chromatics and visual psychology; and drive made by formative orientation is balanced that produces a meaningful form of embodiment.
Subject of art is related with experience from the real life. The author, basing on human and cultural environment of Tainan where the author inhabits, presents the local natural conditions and social customs with color of painting and makes a through research by referring to works of senior painters who are related with south Taiwan.
This analysis finds that the proper application of “color” and “form”, such as contrast between colors and the regulated relationship, shape of form and presentation of spacing, can not only produce rhythm of color but also guide visual sight of appreciators, so that the space structure of painting and its internal drive can produce a rich aesthetic feeling.
In the last chapter of this paper, the author analyzes works and describes the concept of works respectively basing on works painted according to the painting theory.
|
|---|
