| Summary: | 碩士 === 國立臺北藝術大學 === 造形研究所 === 94 === Four chapters were used to present my work. The ideas of creation were elaborated in the first three chapters, and the forms of artistic creation and illustrations were discussed in the last chapter.
Chapter one addresses “the relationship between creations and nature” from a ground view of natural-creation.
“Memory” was the focus of the second chapter, in which how my memories were graphically presented in my creations were depicted. The occurrences of present situations were analyzed upon the contents and forms of past memories.
The third chapter talks about abstract shapes and ideas of my work. How the abstract time-and-space and imaginary ideas affected the micro-view shapes of my work was explained in detail.
In the last chapter, shape, ideas of creation, and material analysis were discussed through the illustration of four series of work:
1.Drifting series: the uncertainty and ambiguity of the magnifying of micro-views and inner images.
2.Diary & Scene series: traces caught before the moments of vanishing.
3.Prototype series: the existence of our universe is the process of organic status and morphing.
4.Road & Memory underflow series: the interlacing of memories enables unpredictable possibilities.
Conclusion: by inspecting the process of creation and inner dialogues, the origin of nature and memorial images could be understood.
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