The Reality Aesthetics of Wilderness & Wildness in Urban Chinks

• Main Authors: Hung-Ming Chen, 陳宏銘
• Other Authors: Chen-Cheng Chen
• Format: Others
• Language: zh-TW
• Published: 2004
• Online Access: http://ndltd.ncl.edu.tw/handle/05579681888362122251

碩士 === 淡江大學 === 建築學系碩士班 === 94 === There are many lives living in the chinks of city, adapting to the change of urbanization to last their existences. Opposite to human space, lives in the chinks are not materials, but dynamic livings of a city. Under the compression of modernism and development of capital, nature is replaced by city. n the process of aspiring for the modernization, every part of the city solely developed; yet accompany with the chink in relationship between each other. With the observation of the exist landscapes in the chinks, what “the wild” represent is the scene of the real life, reflects the forgotten lives in city. The landscapes in chinks are different from cities. Therefore, with the observation of the differentiation in chinks may get an understanding of the value and contradiction between city culture and the geographical development. The “Post-scholarship” in 20th century had influenced the geography, esthetics, sociology, cultural geography, and other related fields. It abandoned the conservation of the theology and capital-centralization, and started to concern the distant relationship between people, environment and society. Diversified explanations deconstruct the hierarchy of the space and social relationship, and turn to the nomadic process of individuals. The wild in chinks play the role as the growing process of non-uniform functions intervene the organic movement into the evolution of society. With the observation of the natural net, the inspiration to the entirety that “the chinks” bring up from the regular urban space and environmental systems is what called “the wild movement” in this study. Based on the viewpoints of above, this study collected and analyzed the related cases. During the research, with self dialectic, I take the design experiments as testifying and discovering process of constructive design, to make up the insufficient of self-experience. Moreover, this research goes through the process of design actions and experiments to support the social communication of design. In this study, I tried to self-dialect with the research issues in four ways: 1. Answer the question by the design assumptions directly. 2. Decide the sites, and design the actions under the standpoints as above according to the conditions of the environment. 3. Pick up a place that at the edge the artificial and nature, reveal the characteristics of it. 4. Integrate viewpoints above, and state the periodical conclusions by design. Finally, this research anticipates that the designs can further communicate with the space, the time, and the social background through comprehension of the environment, and the adequate designs and their basic value for the defined issues.