A research into different cognitions whilst the public art enters public space-A study of light environment of the public aged 18 or above at Kaohsiung Area
碩士 === 樹德科技大學 === 應用設計研究所 === 94 === 1.This research mainly aims at exploring whilst the public art enters public space of light environment in any given public environment inbuilt with art-related display, i.e., it inspects the extent of influences that people’s active participation in a public spa...
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ndltd-TW-094STU006190362016-06-01T04:21:10Z http://ndltd.ncl.edu.tw/handle/97545570390305733056 A research into different cognitions whilst the public art enters public space-A study of light environment of the public aged 18 or above at Kaohsiung Area 當公共藝術進入公共空間-以高雄地區滿十八歲民眾對光環境認知之研究 HSU, KUEI-CHUN 許貴鈞 碩士 樹德科技大學 應用設計研究所 94 1.This research mainly aims at exploring whilst the public art enters public space of light environment in any given public environment inbuilt with art-related display, i.e., it inspects the extent of influences that people’s active participation in a public space will result on their living environment, moreover, it also examines dissimilar conceptions in terms of public space as well as the imagery vision of space that may be perceived differently by general public, in addition, its relevance and discrepancies. The process of this research is generally consisted of three stages which are carried out in a linear order: 1. An investigation into the conditions of existed art displays across public space nationally; 2. The creation of questionnaire-oriented space and the design of new adjective entries into the descriptive glossary on account of the investigation on pragmatic discrepancies. 3. The formation of ‘the questionnaire and the test analysis on the pragmatic discrepancies of the imagery vision of space towards the introduction of light environment public art into public space.’ In comparison of the perception of imagery vision of public art in public space between art-related personals and general public, the results of questionnaire show minimum discrepancies; however as regards to the effect of public art in public space contributes to the environment, all participants consider positive. This research by and large can induce the following conclusions: a. The genre 1. Works in the Urban Spotlight: two pairs find significant difference on the perception, whilst the rest of pairs have been concluded dissimilar. b. The genre 2. Works in the Lotus Lake – gardens or squares, etc.: One pairs are perceived significantly different, and no significant differences are found among the other pairs. c.The genre 3. Works in the Love River: the perception of nine pairs is significant, notwithstanding, the rest of pairs are commented as indifference on people’s perception. d.The genre 4.works in the Fong Ling Concourse –four pairs are perceived significantly different, and no significant differences are found among the other pairs. In an attempt to further explore the attitude towards different public art in public space which contains different imagery visions: Four pairs that are displayed with public art of light environment in their public space, in both ‘local public team’ and ‘general public team’, shows positive attitude directed at the imagery vision perceived after the installation of public art of light environment in the public space, which correlates with the findings of another questionnaires regarding the conditions of existed public arts in public space, in which up to 87.5% of the interviewees approved the statement as ‘You believe the installation of public art will enhance the participation of general public and presumably change the living surroundings . 周伯丞 2006 學位論文 ; thesis 100 zh-TW |
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碩士 === 樹德科技大學 === 應用設計研究所 === 94 === 1.This research mainly aims at exploring whilst the public art enters public space of light environment in any given public environment inbuilt with art-related display, i.e., it inspects the extent of influences that people’s active participation in a public space will result on their living environment, moreover, it also examines dissimilar conceptions in terms of public space as well as the imagery vision of space that may be perceived differently by general public, in addition, its relevance and discrepancies.
The process of this research is generally consisted of three stages which are carried out in a linear order:
1. An investigation into the conditions of existed art displays across public space nationally;
2. The creation of questionnaire-oriented space and the design of new adjective entries into the descriptive glossary on account of the investigation on pragmatic discrepancies.
3. The formation of ‘the questionnaire and the test analysis on the pragmatic discrepancies of the imagery vision of space towards the introduction of light environment public art into public space.’
In comparison of the perception of imagery vision of public art in public space between art-related personals and general public, the results of questionnaire show minimum discrepancies; however as regards to the effect of public art in public space contributes to the environment, all participants consider positive.
This research by and large can induce the following conclusions:
a. The genre 1. Works in the Urban Spotlight: two pairs find significant difference on the perception, whilst the rest of pairs have been concluded dissimilar.
b. The genre 2. Works in the Lotus Lake – gardens or squares, etc.: One pairs are perceived significantly different, and no significant differences are found among the other pairs.
c.The genre 3. Works in the Love River: the perception of nine pairs is significant, notwithstanding, the rest of pairs are commented as indifference on people’s perception.
d.The genre 4.works in the Fong Ling Concourse –four pairs are perceived significantly different, and no significant differences are found among the other pairs.
In an attempt to further explore the attitude towards different public art in public space which contains different imagery visions:
Four pairs that are displayed with public art of light environment in their public space, in both ‘local public team’ and ‘general public team’, shows positive attitude directed at the imagery vision perceived after the installation of public art of light environment in the public space, which correlates with the findings of another questionnaires regarding the conditions of existed public arts in public space, in which up to 87.5% of the interviewees approved the statement as ‘You believe the installation of public art will enhance the participation of general public and presumably change the living surroundings .
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author2 |
周伯丞 |
author_facet |
周伯丞 HSU, KUEI-CHUN 許貴鈞 |
author |
HSU, KUEI-CHUN 許貴鈞 |
spellingShingle |
HSU, KUEI-CHUN 許貴鈞 A research into different cognitions whilst the public art enters public space-A study of light environment of the public aged 18 or above at Kaohsiung Area |
author_sort |
HSU, KUEI-CHUN |
title |
A research into different cognitions whilst the public art enters public space-A study of light environment of the public aged 18 or above at Kaohsiung Area |
title_short |
A research into different cognitions whilst the public art enters public space-A study of light environment of the public aged 18 or above at Kaohsiung Area |
title_full |
A research into different cognitions whilst the public art enters public space-A study of light environment of the public aged 18 or above at Kaohsiung Area |
title_fullStr |
A research into different cognitions whilst the public art enters public space-A study of light environment of the public aged 18 or above at Kaohsiung Area |
title_full_unstemmed |
A research into different cognitions whilst the public art enters public space-A study of light environment of the public aged 18 or above at Kaohsiung Area |
title_sort |
research into different cognitions whilst the public art enters public space-a study of light environment of the public aged 18 or above at kaohsiung area |
publishDate |
2006 |
url |
http://ndltd.ncl.edu.tw/handle/97545570390305733056 |
work_keys_str_mv |
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