Discerning the expression technique of the landscape work – the “Running Waves

• Main Authors: yung lung.Lai., 賴永龍
• Other Authors: Dr.Kuen-Cherng Shue.Du.Meei-Er Ueng
• Format: Others
• Language: zh-TW
• Published: 2006
• Online Access: http://ndltd.ncl.edu.tw/handle/88401600760568306340

碩士 === 中國文化大學 === 藝術研究所美術組碩士在職專班 === 94 === Abstract After having studied in the postgraduate school for nearly two years, and before finishing the study program, the author could hardly wait to jump into the realm of painting to enjoy the joy of creating, and be immersed in the running foundation of spirituality. Naturally, the author, besides the time spent in painting creation, has not only attempted to mirror the predecessors’ painting styles and ambience, but also reflected on renowned Eastern and Western painters’ artwork and painting theories in pondering whose own creative thoughts. The thesis is divided into seven chapters: chapter I, introduction, which describes and explains the creative motion, objective, contents, scope, research methodology and theories. Chapter II, the resurgence of natural mountains and rivers, which describes the influence of British landscape painters to later artists, together with profiling Turner and Hillis’ painting works with in-depth comparison. Chapter III, natural landscape echoing virtuality and reality, explores the core of landscape painting with the virtuality of permeating mists and the reality of a lush green majestic ambience, which serves as a vital premise in culminating the author’s self creativity. Chapter IV, the creative concept and theoretic premises, explores the natural environment and the source of life using the British school and the Impressionism’s landscape painting from and feature. Chaper V, the creative from and contents, analyzes in-depth the layout of large color locks and detailed and refined depiction to explore landscape painting’s content format and expression elements. Chapter VI, a select artwork appreciation, covers the author’s self creative mode using the concepts stated in the foresaid chapters, and introduces and profiles the author’s artwork in relation to the content format and self creative concept. Chapter VII, the creative reflection and vision, provides a stringent reflection to the starting point and adjustment of the author’s later creative venture, anticipating that the current stage’s works could aspire the viewer’s harmony and interaction, and further excel the author’s creation to move forward a greater step. Keywords: A harmony of virtuality and reality