F.Liszt's Grandes Etudes de Paganini

碩士 === 中國文化大學 === 音樂研究所 === 94 === This thesis focuses on F.Liszt’s Grandes Etudes de Paganini, covering five chapters,is comprised of five chapters.In addition to the introductions and conclusions,the research could be divided into three chapters. Chapter Two, discussion of the origin and the devel...

Full description

Bibliographic Details
Main Authors: I-HUA CHOU, 周宜樺
Other Authors: Hsiang-Tai Chu
Format: Others
Language:zh-TW
Published: 2005
Online Access:http://ndltd.ncl.edu.tw/handle/h42zh9
id ndltd-TW-094PCCU0248009
record_format oai_dc
spelling ndltd-TW-094PCCU02480092019-05-15T19:17:44Z http://ndltd.ncl.edu.tw/handle/h42zh9 F.Liszt's Grandes Etudes de Paganini 李斯特《帕格尼尼大練習曲》之研究 I-HUA CHOU 周宜樺 碩士 中國文化大學 音樂研究所 94 This thesis focuses on F.Liszt’s Grandes Etudes de Paganini, covering five chapters,is comprised of five chapters.In addition to the introductions and conclusions,the research could be divided into three chapters. Chapter Two, discussion of the origin and the development of the etudes,as well as the creation process of Liszt’s Grandes Etudes de Paganini;Due to the period background,consolidated su-mmary of Liszt’s feature and characteristic,then investigates the characteristics in these etudes. Chapter Three and Four mainly focuses on analyzing the music pieces in Grandes Etudes de Paganini, investigates the structure,the usage of the materials,harmonic and tonal structure,etc.It is expected to provide the theoretical foundation for the performance interpreta- tion. In addition, an in-depth research provided on the performance interpretation of Grandes Etudes de Paganini,and put forward the ways of practices with technique. Chapter Five is to use Grandes Etudes de Paganini ‘s study sense, and then to expresses the leading position of Liszt in 18 and 19 century. Hsiang-Tai Chu 朱象泰 2005 學位論文 ; thesis 183 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 中國文化大學 === 音樂研究所 === 94 === This thesis focuses on F.Liszt’s Grandes Etudes de Paganini, covering five chapters,is comprised of five chapters.In addition to the introductions and conclusions,the research could be divided into three chapters. Chapter Two, discussion of the origin and the development of the etudes,as well as the creation process of Liszt’s Grandes Etudes de Paganini;Due to the period background,consolidated su-mmary of Liszt’s feature and characteristic,then investigates the characteristics in these etudes. Chapter Three and Four mainly focuses on analyzing the music pieces in Grandes Etudes de Paganini, investigates the structure,the usage of the materials,harmonic and tonal structure,etc.It is expected to provide the theoretical foundation for the performance interpreta- tion. In addition, an in-depth research provided on the performance interpretation of Grandes Etudes de Paganini,and put forward the ways of practices with technique. Chapter Five is to use Grandes Etudes de Paganini ‘s study sense, and then to expresses the leading position of Liszt in 18 and 19 century.
author2 Hsiang-Tai Chu
author_facet Hsiang-Tai Chu
I-HUA CHOU
周宜樺
author I-HUA CHOU
周宜樺
spellingShingle I-HUA CHOU
周宜樺
F.Liszt's Grandes Etudes de Paganini
author_sort I-HUA CHOU
title F.Liszt's Grandes Etudes de Paganini
title_short F.Liszt's Grandes Etudes de Paganini
title_full F.Liszt's Grandes Etudes de Paganini
title_fullStr F.Liszt's Grandes Etudes de Paganini
title_full_unstemmed F.Liszt's Grandes Etudes de Paganini
title_sort f.liszt's grandes etudes de paganini
publishDate 2005
url http://ndltd.ncl.edu.tw/handle/h42zh9
work_keys_str_mv AT ihuachou flisztsgrandesetudesdepaganini
AT zhōuyíhuà flisztsgrandesetudesdepaganini
AT ihuachou lǐsītèpàgénínídàliànxíqūzhīyánjiū
AT zhōuyíhuà lǐsītèpàgénínídàliànxíqūzhīyánjiū
_version_ 1719086938402586624