F.Liszt's Grandes Etudes de Paganini
碩士 === 中國文化大學 === 音樂研究所 === 94 === This thesis focuses on F.Liszt’s Grandes Etudes de Paganini, covering five chapters,is comprised of five chapters.In addition to the introductions and conclusions,the research could be divided into three chapters. Chapter Two, discussion of the origin and the devel...
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ndltd-TW-094PCCU02480092019-05-15T19:17:44Z http://ndltd.ncl.edu.tw/handle/h42zh9 F.Liszt's Grandes Etudes de Paganini 李斯特《帕格尼尼大練習曲》之研究 I-HUA CHOU 周宜樺 碩士 中國文化大學 音樂研究所 94 This thesis focuses on F.Liszt’s Grandes Etudes de Paganini, covering five chapters,is comprised of five chapters.In addition to the introductions and conclusions,the research could be divided into three chapters. Chapter Two, discussion of the origin and the development of the etudes,as well as the creation process of Liszt’s Grandes Etudes de Paganini;Due to the period background,consolidated su-mmary of Liszt’s feature and characteristic,then investigates the characteristics in these etudes. Chapter Three and Four mainly focuses on analyzing the music pieces in Grandes Etudes de Paganini, investigates the structure,the usage of the materials,harmonic and tonal structure,etc.It is expected to provide the theoretical foundation for the performance interpreta- tion. In addition, an in-depth research provided on the performance interpretation of Grandes Etudes de Paganini,and put forward the ways of practices with technique. Chapter Five is to use Grandes Etudes de Paganini ‘s study sense, and then to expresses the leading position of Liszt in 18 and 19 century. Hsiang-Tai Chu 朱象泰 2005 學位論文 ; thesis 183 zh-TW |
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碩士 === 中國文化大學 === 音樂研究所 === 94 === This thesis focuses on F.Liszt’s Grandes Etudes de Paganini, covering five chapters,is comprised of five chapters.In addition to the introductions and conclusions,the research could be divided into three chapters.
Chapter Two, discussion of the origin and the development of the etudes,as well as the creation process of Liszt’s Grandes Etudes de Paganini;Due to the period background,consolidated su-mmary of Liszt’s feature and characteristic,then investigates the characteristics in these etudes.
Chapter Three and Four mainly focuses on analyzing the music pieces in Grandes Etudes de Paganini, investigates the structure,the usage of the materials,harmonic and tonal structure,etc.It is expected to provide the theoretical foundation for the performance interpreta- tion. In addition, an in-depth research provided on the performance interpretation of Grandes Etudes de Paganini,and put forward the ways of practices with technique. Chapter Five is to use Grandes Etudes de Paganini ‘s study sense, and then to expresses the leading position of Liszt in 18 and 19 century.
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author2 |
Hsiang-Tai Chu |
author_facet |
Hsiang-Tai Chu I-HUA CHOU 周宜樺 |
author |
I-HUA CHOU 周宜樺 |
spellingShingle |
I-HUA CHOU 周宜樺 F.Liszt's Grandes Etudes de Paganini |
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I-HUA CHOU |
title |
F.Liszt's Grandes Etudes de Paganini |
title_short |
F.Liszt's Grandes Etudes de Paganini |
title_full |
F.Liszt's Grandes Etudes de Paganini |
title_fullStr |
F.Liszt's Grandes Etudes de Paganini |
title_full_unstemmed |
F.Liszt's Grandes Etudes de Paganini |
title_sort |
f.liszt's grandes etudes de paganini |
publishDate |
2005 |
url |
http://ndltd.ncl.edu.tw/handle/h42zh9 |
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