作品中日常性時間之研究
碩士 === 國立臺灣藝術大學 === 造形藝術研究所 === 95 === 英文摘要 A Study on the Notion of Daily Time in the Works In everyday routine life, self-positioning seems to be a tough job. Doubts on self- identity and true pattern lead to an incapability to perceive daily differences. In light of this, the author has begun...
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ndltd-TW-094NTUA05800722015-10-13T21:45:15Z http://ndltd.ncl.edu.tw/handle/80336234052826358584 作品中日常性時間之研究 Chang Min May 張銘湄 碩士 國立臺灣藝術大學 造形藝術研究所 95 英文摘要 A Study on the Notion of Daily Time in the Works In everyday routine life, self-positioning seems to be a tough job. Doubts on self- identity and true pattern lead to an incapability to perceive daily differences. In light of this, the author has begun to introspect and tried to clarify the origin since 2000. Painting used to be the creation form for the author, but other alternatives were gradually being considered. The author launched a series of plans to observe her daily life. The ultimate goal was to clarify and face self-status, making the concept of subject existence manifested. The present thesis aimed at doing the analysis and discussion of the author’s creation during 2000-2006. It started from the author’s main body and physical status. In the works, she used the vital sign data, metabolic hair, and body sketch description to observe the physical body that was used as fundamental forms to remain life. Furthermore, she observed how self-image incorporated in the daily life. For instance, by observing external figure shooting, records of everyday life, or diary forms of daily life image, we can understand what the individual has done in everyday life and the role she plays and the meaning it implies in the social form. Accordingly, individual can create some actions in the routine life and change their tempo to discover the differences in the daily life as well as how flexible an individual can adjust herself to adapt the changing situation. This process developed in the form of concentric circles. The basis is individual’s self-status, which follows by social life form of the creation subject. And then the individual itself adds various elements to observe the differences and verify the importance and absoluteness of the subject in daily life. Among them, documental form is mostly the main means of creation and conceptual issues were involved in them. Therefore, the present paper analyzes and identifies the process of creation and every key points within them. Also, it illustrates the history of related conception and the realization of status. The comparison and impact of creation are also depicted. All in all, the thesis not only arranges the creation phases, but also presents the true status of subject existence, which can serve as evidences of self-exploration. We can also realize the existence of subject’s perception and individual’s specialty in daily life and use them as an extension for further creations. Key words: time, timing, daily time, concept, conception, collection, record, subjectivity 陳志誠 學位論文 ; thesis 0 |
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碩士 === 國立臺灣藝術大學 === 造形藝術研究所 === 95 === 英文摘要
A Study on the Notion of Daily Time in the Works
In everyday routine life, self-positioning seems to be a tough job. Doubts on self- identity and true pattern lead to an incapability to perceive daily differences. In light of this, the author has begun to introspect and tried to clarify the origin since 2000. Painting used to be the creation form for the author, but other alternatives were gradually being considered. The author launched a series of plans to observe her daily life. The ultimate goal was to clarify and face self-status, making the concept of subject existence manifested.
The present thesis aimed at doing the analysis and discussion of the author’s creation during 2000-2006. It started from the author’s main body and physical status. In the works, she used the vital sign data, metabolic hair, and body sketch description to observe the physical body that was used as fundamental forms to remain life. Furthermore, she observed how self-image incorporated in the daily life. For instance, by observing external figure shooting, records of everyday life, or diary forms of daily life image, we can understand what the individual has done in everyday life and the role she plays and the meaning it implies in the social form. Accordingly, individual can create some actions in the routine life and change their tempo to discover the differences in the daily life as well as how flexible an individual can adjust herself to adapt the changing situation. This process developed in the form of concentric circles. The basis is individual’s self-status, which follows by social life form of the creation subject. And then the individual itself adds various elements to observe the differences and verify the importance and absoluteness of the subject in daily life.
Among them, documental form is mostly the main means of creation and conceptual issues were involved in them. Therefore, the present paper analyzes and identifies the process of creation and every key points within them. Also, it illustrates the history of related conception and the realization of status. The comparison and impact of creation are also depicted. All in all, the thesis not only arranges the creation phases, but also presents the true status of subject existence, which can serve as evidences of self-exploration. We can also realize the existence of subject’s perception and individual’s specialty in daily life and use them as an extension for further creations.
Key words: time, timing, daily time, concept, conception, collection, record, subjectivity
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陳志誠 |
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陳志誠 Chang Min May 張銘湄 |
author |
Chang Min May 張銘湄 |
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Chang Min May 張銘湄 作品中日常性時間之研究 |
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Chang Min May |
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作品中日常性時間之研究 |
title_short |
作品中日常性時間之研究 |
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作品中日常性時間之研究 |
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作品中日常性時間之研究 |
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作品中日常性時間之研究 |
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作品中日常性時間之研究 |
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http://ndltd.ncl.edu.tw/handle/80336234052826358584 |
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