On the Floading Face of Art in Mental Fieldsof Female Desire: Study of the Formal Constitution of Work “Cave, Vulv and Oversteps”

• Main Authors: HSIEH HSIU JU, 謝繡如
• Other Authors: 劉素真
• Format: Others
• Language: zh-TW
• Published: 2006
• Online Access: http://ndltd.ncl.edu.tw/handle/78104757898876633852

碩士 === 國立臺灣藝術大學 === 造形藝術研究所 === 94 === Abstract In ream of human culture, the characteristic femininity which makes the female as a woman and exists as basic in arts theory is a fundamental element with traditional artistic form. Meanwhile this study includes two parts: the theoretic discourse on concepts and the actual creative work. In the part of theoretic discourse, the author explores fourfold steps of female aesthetic experience of vulv space and female mental image, i.e., un-fulfillment, silence, narcissus, and salvation. The charter frame are (1) listen / inner / voice, (2) feminine boundary / female image, (3) reforming an artistic field with the sustention of female body. In the part of creative work, the author goes under the theme of ‘Cave, Vulv and Oversteps’ to express the conception of vulv space with plane painting, mix-media, space installation and behavior arts. The author attempts to find out her female experience a priori, sensitive and thinly inner femininity, to constitute the female’s own sympathy and meditation of the pure field of mental desire, and she also try to investigate an orthodoxy position within woman’s self-identity by highlighting on the subjectivity and subject matter as well as her spirit image of art work created by the author. In literary the word ‘orthodoxy’ applied here means to go back to the most original position which were margined as subculture class in traditional consciousness of society, and also means to get the sexual equality and identity of both difference by social institute now. Secondary the author stresses her expressing form of arts creation at the subjectivity consciousness of vuvl image, to animate an artistic floating status ironically as a ‘mimeses’ with deep touching of visible sensation, in order to combine the audience and artwork together into merely one and the same field, to share to each other and perform themselves to both sides. Facing the new age of another possible status of avant-garde, the traditional war between men and women is no longer a dualistic faith of sexual distinction, which is just as a passed dilemma of subject-object or ego-other dichotomy. Finally, during the period of confusion and disorder in the affairs of man and woman, this study of creative work of art will clarify contemporary women consciousness in finding out a mental and visual image of feminine priority than her own position in ordinary life. Keywords: vulv, cave, self-pleasure , female writing, femininity