Representation of Cultural Hybridity and Migrant Aesthetics in Salman Rushdie''s Three Novels
博士 === 國立臺灣大學 === 外國語文學研究所 === 94 === This dissertation attempts to explore how cultural hybridity and migrant aesthetics are represented in Salman Rushdie’s three major novels, including Midnight’s Children, The Satanic Verses, and The Moor’s Last Sigh. The three texts are sequential in the sense...
Main Authors: | Shao-ming Kung, 龔紹明 |
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Other Authors: | 廖咸浩 |
Format: | Others |
Language: | en_US |
Published: |
2006
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Online Access: | http://ndltd.ncl.edu.tw/handle/43692318702765495731 |
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