Combinations of Pottery and Glass Materials, Creations and Research on the Ornamental Arts

• Main Author: 鄭武鈺
• Other Authors: 吳千華
• Format: Others
• Language: zh-TW
• Published: 2005
• Online Access: http://ndltd.ncl.edu.tw/handle/88922994226332276039

碩士 === 國立臺灣師範大學 === 設計研究所在職進修碩士班 === 94 === Abstract Pottery, pottery glaze, and glass are all products related to silicates. It needs to heat them in the course of making to have them change from several kinds of materials with different characteristics into another kind of melting material. Although the pottery and glass seen in daily life are made by different methods, process technologies, and individually produced feel to derive specific style, it is not rare to see products made of combinations of the pottery and glass, such as the pottery glaze. The pottery glaze on both of chemical and physical properties of materials are regarded as the glass which cover in the pottery in initiative form of body makes it happen. Since the pottery glaze emerges, there are combinations of the pottery and the glass materials, just for a long time, the status of the glass for the modeling pottery all belongs to the modeling pottery’s dependency. Influenced by post modernism in vogue, this creation hopes that it can combine the pottery with the glass through a succession of creations and experiments, to destruct the relation between the pottery and glass, to destruct entities of the pottery and glass, to change the proportionate relationship that has already had, to gather and compose pieces together again, to create out new relation and new space of model after the materials combine, to deeply discuss more feasibility as the pottery and glass combine, and to reach the followings with levels of the glass and pottery material and creations based on their associations: 1.Controlling new combinations of the glass model in body form of the pottery and producing new styles from the new combinations 2.Creating a new skill and technique of the pottery combining with the glass material 3.Displaying multi-level aesthetic vision produced by combination of the pottery and glass 4.Creating translucent and unique works with the feel between the glass and pottery There are five chapters totally in this creation. Chapter One is an introduction expounding backgrounds, motives, and purposes of the research and stating approaches, procedures, and restrictions of the research. Chapter Two is a literature discussion to probe into feels of the pottery, glass, glass pottery and seeks creating methods combining the pottery with the glass materials by various kinds of processing methods of the pottery and glass and sums up pioneers’ concepts and technologies. Chapter Three narrating analyses of quoted experiments and ornamental methods in this series of the creation includes: experiments of quantity comparisons between the glass and pottery, in addition, comparisons between the pottery and ornamental methods of the glass and their applications. Chapter Four narrates course of this creation and derived developments of this creation separately records levels of the combined pottery with the glass materials, three-dimensional creations, and course of production of combined feels. Chapter Five is a conclusion of this creation and follow-up studies to sum up the direction of “Combinations of Pottery and Glass Materials and Creations on the Ornamental Arts” and to put forward the possibility of the follow-up studies and difficulties and restrictions met on the creation. Creation of multiple media and applications on a variety of materials are trends of product designs and developments. No matter the view standing in the pottery decoration and processing of the creation or from the point of view of ornament and processing of the glass, this creation is different from the traditional pottery or creations of single material of glass. It will contribute to the developments of the pottery and industry of the glass or the developments of artistic creations in the future.