The study of applying bionics theory on 3D digital arts
碩士 === 國立臺灣師範大學 === 設計研究所在職進修碩士班 === 94 === As such, the principles of bionics, the thinking of bionics and bionic design were investigated in this thesis and some selected principles of bionic design such as shape bionics, function bionics, structure bionics, vision bionics, color bionics, interfac...
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ndltd-TW-094NTNU56190152016-06-03T04:13:57Z http://ndltd.ncl.edu.tw/handle/68537532159414487967 The study of applying bionics theory on 3D digital arts 仿生思維應用於3D數位藝術創作之研究 陳進士 碩士 國立臺灣師範大學 設計研究所在職進修碩士班 94 As such, the principles of bionics, the thinking of bionics and bionic design were investigated in this thesis and some selected principles of bionic design such as shape bionics, function bionics, structure bionics, vision bionics, color bionics, interface bionics, sport bionics and culture symbolism bionics were also sorted out from literature review. These principles were used as the foundation of this research to further examine the implication and impacts generated on the design history and also on designers’ works. Finally, the principles of bionics were applied to the creation with 3D digital image, multimedia and virtual reality in this thesis to lay equal stress on theory and creative work. Computer graphics software such 2D, 3D, multimedia and VR has been applied in the digital design. The application of digital media and the process of 3D digital design have been derived from the process of experimental creation and could be provided designers a more effective way and diversified vision of digital design. In this research, it is found: 1. “The thinking of bionics” is with a lot of qualitative reference data, which indeed could bring more abundant and interesting creative inspiration to the digital image artists so as to increase the depth, width and speed of design works. 2. Various beautiful shapes, forms, proportions, colors, texture, graphics found from the nature are the common language for esthetics recognized by human beings. The symbolic meaning of bionic culture inspired by the living beings of the nature is one of the most communicative ways used between designers and viewers. 3. The application of “the principles of bionic design” endows the designed artistic works with more natural vitality, shows the “organic function” and “affinity” of the works and blends nature, science and art into one. 4. Flexibly make good use of “the principles of bionic design” will help the works meet the requirement of “the beauties of nature” and “scientific esthetics”, endows the works with natural elements and imagination, and arouse human beings to more delicate sensation to the nature so as to pay more attention and interest to the nature, and cherish the nature. 5. The life-like characteristic of 3D graphics software allows more space for digital creation. Huge difference exists in the styles of 3D and 2D works; the designers could make good uses of the differences to create more unique works. 6. 3D graphics software makes the master of the changes in “texture” easier, allowing artists more space to test out new designs and increase more possibilities in creation. 7. 3D graphics software combined with VR (virtual reality) techniques and supported by pertinent music and sound effect, generating a simulated sense like being on spot, is indeed a complete revolution for the graphic designers. 8. Designers adopt different media techniques as a supplementary tool to complete a design; the form and concept of the artistic works are influenced by the media techniques accordingly. 3D digital media and VR design application could help artists present their free imagination; however, only the artistic works with nature content and humanistic care could touch a string of human’s heart. 賴建都 2006 學位論文 ; thesis 121 zh-TW |
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碩士 === 國立臺灣師範大學 === 設計研究所在職進修碩士班 === 94 === As such, the principles of bionics, the thinking of bionics and bionic design were investigated in this thesis and some selected principles of bionic design such as shape bionics, function bionics, structure bionics, vision bionics, color bionics, interface bionics, sport bionics and culture symbolism bionics were also sorted out from literature review. These principles were used as the foundation of this research to further examine the implication and impacts generated on the design history and also on designers’ works. Finally, the principles of bionics were applied to the creation with 3D digital image, multimedia and virtual reality in this thesis to lay equal stress on theory and creative work.
Computer graphics software such 2D, 3D, multimedia and VR has been applied in the digital design. The application of digital media and the process of 3D digital design have been derived from the process of experimental creation and could be provided designers a more effective way and diversified vision of digital design. In this research, it is found:
1. “The thinking of bionics” is with a lot of qualitative reference data, which indeed could bring more abundant and interesting creative inspiration to the digital image artists so as to increase the depth, width and speed of design works.
2. Various beautiful shapes, forms, proportions, colors, texture, graphics found from the nature are the common language for esthetics recognized by human beings. The symbolic meaning of bionic culture inspired by the living beings of the nature is one of the most communicative ways used between designers and viewers.
3. The application of “the principles of bionic design” endows the designed artistic works with more natural vitality, shows the “organic function” and “affinity” of the works and blends nature, science and art into one.
4. Flexibly make good use of “the principles of bionic design” will help the works meet the requirement of “the beauties of nature” and “scientific esthetics”, endows the works with natural elements and imagination, and arouse human beings to more delicate sensation to the nature so as to pay more attention and interest to the nature, and cherish the nature.
5. The life-like characteristic of 3D graphics software allows more space for digital creation. Huge difference exists in the styles of 3D and 2D works; the designers could make good uses of the differences to create more unique works.
6. 3D graphics software makes the master of the changes in “texture” easier, allowing artists more space to test out new designs and increase more possibilities in creation.
7. 3D graphics software combined with VR (virtual reality) techniques and supported by pertinent music and sound effect, generating a simulated sense like being on spot, is indeed a complete revolution for the graphic designers.
8. Designers adopt different media techniques as a supplementary tool to complete a design; the form and concept of the artistic works are influenced by the media techniques accordingly. 3D digital media and VR design application could help artists present their free imagination; however, only the artistic works with nature content and humanistic care could touch a string of human’s heart.
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賴建都 |
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賴建都 陳進士 |
author |
陳進士 |
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陳進士 The study of applying bionics theory on 3D digital arts |
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陳進士 |
title |
The study of applying bionics theory on 3D digital arts |
title_short |
The study of applying bionics theory on 3D digital arts |
title_full |
The study of applying bionics theory on 3D digital arts |
title_fullStr |
The study of applying bionics theory on 3D digital arts |
title_full_unstemmed |
The study of applying bionics theory on 3D digital arts |
title_sort |
study of applying bionics theory on 3d digital arts |
publishDate |
2006 |
url |
http://ndltd.ncl.edu.tw/handle/68537532159414487967 |
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