The exploration and creation of the "art nouveau" deisgn taking traditional Chinese beauties and flying fairy as examples

• Main Author: 張益明
• Other Authors: 周賢彬
• Format: Others
• Language: zh-TW
• Published: 2005
• Online Access: http://ndltd.ncl.edu.tw/handle/89033181700334426769

碩士 === 國立臺灣師範大學 === 設計研究所在職進修碩士班 === 94 === Abstract "Nouveau-Art" represents innovating style and aesthetic feeling. With a visual image of sentimental pureness, it brings the infinite visual enjoyment and spiritual pleasure. For hundreds of years, the spirit of " Nouveau -Art" has been fermenting in the minds of artist and has been leading the direction of world art. It features on reflecting people resisting out-of-date concept and identifying with the coming of new art era. Many artists have respectful and modest attitude toward it. The world in the future will be emphasizing life aestheticism. The aid of computer is inevitable in many traditional arts, and thus technology will be an important element on which human beings demand for living. A designer, must stay on the peak of the era, actively try to know new technology, and stay with the pace of the time, and therefore the art of design can last. Traditional portrait can represent the Chinese aesthetic spirit. It is closely linked to the background of the era and covers social value and national thoughts. Among traditional Chinese beauties, there were four main beauties, Chao Feiyen, Yang Gweifei, Diao Chan, Shi She, and the flying fairies in Dunhuang as well. To match contemporary tide, this creation bases on “Nouveau -Art” ,“Portraits of Traditonal Chinese Beauties,” and uses computer software as creating appliances, attempting to represent the skill and style of traditional Chinese painting with vector software. After the writer’s analysis, internalization and integration of related documents and works, the creator uses computer to counterfeit Chinese fine brushwork painting, fused the feature of “Nouveau -Art” with the convention of Portraits of Traditonal Chinese Beauties, and thus creates a new style. Taiwan needs to develop a culture of local characteristics. What the creator try is just a beginning. Design is infinite possibilities, and the combination of impossibilities. In the continuous trend of design, thought the braveness for innovation and the exploitation of new area will be a heavy responsibility that creators have to shoulder, and they will be a foundation of the eternal life of art as well.