The reappearance of vision the sight of heart and containing the spirit

• Main Author: 簡錦清
• Other Authors: 呂燕卿
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/09041937027237679620

碩士 === 國立新竹教育大學 === 美勞教育研究所 === 94 === The course of creation is a subjective transformation of spirit. It means that the personal subject of individual mingles with, even rejects or fights to the objective medium. Especially in the process of creation, the thinking in creators themselves and the formality of expression combine to each other or come to a deadlock. Therefore, the course of artistic creation is an experience with joy, but also lonely and painful. I was lucky when I was learning painting. I learned by forefathers’ creative experiences that I can draw lesson from, and I also improved my disorientation by reading the painting theories at all times and in all countries and the philosophy of esthetics. It not only makes my creative process doesn’t be limited any more when I am putting the medium in use, but also reinforce and spread my artistic lexicon and creative thinking, making me have both philosophical thinking and connotation. Further more, it makes my creative style become deeper and more spread even higher confines. I portion out my creative process and the directions of study for three parts: First, conferring the view and the technical formation of glue color painting from historical sequence of ideas: From the development of Japanese painting, conferring where the first generation of glue color painters in Taiwan who was infected deeply by the Japanese paintings learned from and their main view about paintings. Realizing glue color painting’s initial view of drawing in the drawing film of Taiwan by thorough investigation about the painters who left in Taiwan at the time when Japan charge. Conferring the glue color painting’s vigorous development in Taiwan which it was handed down for generations hardly when it was in the times of transformation of space-time, cultural circumstances, and the sensitiveness of politics, and discussing the developing progress of the drawing view of glue color painting effect my creative skills of glue color painting. I analyze and compare by these discussions. Second, analyzing the formation of personal creative thoughts from the philosophical thoughts of eastern and western: Analyzing how to form the personal point about article creation by the natural philosophy of the Confucians, Taoist, and Buddhism. Hoping to induce myself elements of the drawing style by discussing and conferring the container and thinking about the nature, and makes it become the direction and something which I can rely when I am creating in the future. Third, the analysis and description of the course of creation: This chapter takes the theme of the creative progress which about “The reappearance of vision, the sight of heart, and containing the spirit” as an introspection for me. For the infection of the modern article thinking about the last modern times, the influence of an area and the earth what is called nowadays, is proceeding the introspection about “the intrinsic qualities of arts and cultures.” Hoping that I can enter more cultural quality of my own, expanding the creative connotation and possibility of myself in the future.