Field for Object fantasy—Research on void and quiet painting

• Main Authors: Shun-Ching Lin, 林舜青
• Other Authors: 林榮彬
• Format: Others
• Language: zh-TW
• Published: 2006
• Online Access: http://ndltd.ncl.edu.tw/handle/89282920778651150478

碩士 === 長榮大學 === 視覺藝術研究所 === 94 === This paper is to probe into the external symbol of internal spirit combining with visional originality in “co-existing and melting”, “false or truth”, “association” and “gestal” starting from observation and affection on individual life to the surface phenomena of object pried into, vital force is hidden behind the void and quiet. To create the theme titled “Field for Object fantasy” basing on realistic style and super realism, on one hand, it may show a complete spiritual entity and association to put significance into meaning of object, so that holiness of common object may display different image and philosophic theory; on the other hand, in hoping to create an internal fantastic field and unveil the philosophical thinking in the painting so as to explore the painting language belonging to oneself. This paper may base on this concept to start this research. Structure of this research is described in the following: Chapter 1 Introduction: including motivation & purpose, scope & limitation, method & step of the research. Chapter 2 Basis of theory: on basis of the object concept of the east and west philosophers and the west artists. Basing on contrast analysis on theory, it explained the different viewpoints and showing mode of creation on concept of object, which may help integrate one’s creative concept with practice. Chapter 3 Concept of creation: probe into and compile one’s concept of creation: surpass thinking structure of object, show again the realism spirit of the real object, the super realism field of object. Chapter 4 Annotation of works: on basis of contents, modes, mediators and skills of actual individual creation, and also annotate 7 pieces of works. Chapter 5 Conclusion: the summary and the future creative direction of this research. To sum up all above said chapters, the author has learned lots of invaluable experiences and obtained the results as follows: 1. Understand the recognition different from the general real object basing on the research on theory. 2. Develop the fantastic thinking basing on creation and practice in art.