A Reflection and Reasearch on the Context and Discourse of Qi-Biao-Jia''s Yuan-Shan-Tang-Qu-Pin and Yuan-shan-Tang-Ju-Pin

• Main Authors: Mu-Ming Shyr, 石牧民
• Other Authors: 陳芳英
• Format: Others
• Language: zh-TW
• Published: 2005
• Online Access: http://ndltd.ncl.edu.tw/handle/89685961917631092078

碩士 === 國立臺北藝術大學 === 戲劇學系碩士班理論組 === 93 === Throughout his life, being the son of a bibliophile and living in the turning point of Ming and Qing dynasty, Qi-Biao-Jia found himself dealing with the chaos and collapse of the "meaning" and "value" systems. The bibliophile and bibliography background of his life and his father''s had become the prime metaphor of Qi-Biao-Jia''s doings and works, which is the resistance of being bewildered or lost among the infinity of this world, or, "the knowledge". On the other hand, it is to say, to use a bibliography structure to prevent the chaos or the collapse of the meanings and values as a usual phenomenon of this world. Among his works, Yuan-Shan-Tang-Qu-Pin and Yuan-Shan-Tang-Ju-Pin are the most important realization of that metaphor. Not only being detailed catalogs of the Chuan-Qi and Za-Ju scripts but Yuan-Shan-Tang-Q0-Pin and Yuan-Shan-Tang-J&-Pin are also the projection of Qi-Biao-Jia''s own concepts of contemporary drama writing and performing during his time. Moreover, Yuan-Shan-Tang-Qu-Pin and Yuan-Shan-Tang-Ju-Pin, as a kind of "space" or "field”, contained the critiques and discourses that Qi-Biao-Jia performed upon the scripts. And that format, critiques and discourses input in a "space" or "field”, symbolized the confrontation of the reader and the text, the confrontation of parallel or different concepts：even more, the confrontation of the "Reader" and "Writer". Meanwhile, the format of Yuan-Shan-Tang-Qu-Pin and Yuan-Shan-Tang-Ju-Pin shares the similarity in a constructive way with that prime metaphor of Qi-Biao-Jia''s. For Qi-Biao-Jia, to program a bibliography structure is to grant a specific and proper position to any give title, any given meaning, any given value and, speaking of Yuan-Shan-Tang-Qu-Pin and Yuan-Shan-Tang-Ju-Pin, any given script. Those positions are mutual-related. Through the writing of Yuan-Shan-Tang-Qu-Pin and YUan-Shan-Tang-Ju-Pin, Qi-Biao-Jia tried to confirm that only through being related to other objects could a single object obtain its solid, complete meaning. Otherwise, should there be no relationship between·isolated individuals, every single object would lose its capacity of being recognized and specified. That would well be so called the chaos and collapse of the meaning or value system. In short, the bibliophile and bibliography metaphor that Qi-Biao-A inherited from his fathe「the resistance of being bewildered or lost among the infinity of this world, the concept that Qi-Biao-Jia himself and the critiques and discourses of Yuan-Shan-Tang-Qu-Pin, Yuan-Shan-Tang-Ju-Pin being the "spaces" or "fields" of confrontation, formed the basic context of Qi-Biao-Jia''s Yuan-Shan-Tang-Qu-Pin and Yuan-Shan-Tang-Ju-Pin.