| Summary: | 碩士 === 國立臺北藝術大學 === 藝術行政與管理研究所 === 93 === Abstract
A theater should provide complete service for both the performers and the audience. In the hands of professional planners, outdoor theaters can be excellent places for performance. Nevertheless, outdoor theaters in Taiwan usually are poorly planned and inadequately equipped, and theater design and operation are rarely studied within
design profession. The research explores the architectural principles and Post-occupancy Evaluation of three outdoor theaters in Taiwan: Forest Theater, Waterfront Theater and Fire Dance Theater. This research attempts to set examples that can be referenced by later theater designers and planners.
This research is exploratory and descriptive in nature. Through interviewing users and the audience and comparing the quality of the three theaters, and based on stage or theater design theories available, this research tries to build up the planning principles for outdoor theaters with P.O.E methodology.
This thesis probes general conditions of theaters before determining factors that should be included in questionnaire. Site inspection was conducted before design and planning principles were considered possible in practice. This paper proceeds as following:
（1）Terminology
（2）References
（3）Post-occupancy Evaluation
（4）Evaluation subjects
（5）Case study
（6）Suggestions of planning principles
（7）Analysis and Conclusion
The suggestions of planning principles emphasize the perspective for the audience and the relevant hight between the stage and the audience seats. This thesis suggests planners to focus on three issues: 1. The site decides the nature of a theater, 2. Spatial arrangement decides the participation of the public, 3. Coordination between different
needs and consultation from different parties such as clients, builders, performers and potential audience attribute the success of planning.
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