| Summary: | 碩士 === 國立臺北藝術大學 === 科技藝術研究所 === 93 === Because Internet is constructed of texts, the reality on internet skin is presented by internet language as a kind of sign system. Internet language is texts, signs, graphics, and dynamic images including web-cam, together constructed on the basis of language, in which internet context lies.<p>
The playful character of internet language helps language to ‘différence’ successfully and keep on going in the delay of time, and thus generates different semantic texture and meanings. The initiative or interactivity emerges from language being used in flow in space and time of flows. This interactivity is unlimitedly open and linked to outside, and is the line of flight of a map with multiple entryways in the rhizome.<p>
This kind of escape, constantly being absent, and an active force of flanerie, prompts internet language to repeatedly generate more intensities in the arbitrary doing of the work piece “XD”, and thus to become“body without organs”, which is the information body accumulated by continuous intensities of a thousand plateaus. The information body carries information and desire, communicates with endless places and people in the depth of internet, and becomes the flanerie reality of internet context.<p>
The body without organs provides the information body with clues for reference, helping it to be de-organic and to have the desire and flow energy to connect outside, i.e. informational format, so as to take part in the make-believe “making” reality in the skin of internet. Meanwhile, the internet is characteristic of space of flows and timeless time, and also real time aesthetics, thus accelerates flanerie behavior flowing into the escape route from within the rhizome. Therefore, in Alibi, time and space are re-collaged via skipping flanerie and become “flanerie reality”.
<p>Internet space becomes the habitat of thoughts and the imagined community due to mind projection and flows. With “rhizome” as the visual imagination of internet mapping, the mapping of internet space is able to be drawn out. This is also the imagination foundation of “IPING”, which signifies the desire to be linked to outer world or the community while looking into the mirror and realizing one’s own absence, expressing a whole new sense of loneliness in one’s flanerie experience using an information body without actual body on the internet skin. This is the origin of ping to the far-away and to one’s self.<p>
Time is an important committed mechanism in internet work pieces. Since deleting space assures instantaneity and let time replace distance and space. Real-time present experience is the shared reality of every information body in “real time” and serves as the foundation of flanerie reality.
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