Representation of the technology arts— Absence

碩士 === 國立臺北藝術大學 === 科技藝術研究所 === 93 === Representation this notion, English of its senses is a representation, the define of the oxford latest English is: Representation is a description or depicts that. Ask for help the description or depict or think that elephant is in mind to arouse the said resis...

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Main Authors: TSAI CHENG-CHU, 蔡承助
Other Authors: 顧世勇
Format: Others
Language:zh-TW
Published: 2004
Online Access:http://ndltd.ncl.edu.tw/handle/60610434599444214637
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description 碩士 === 國立臺北藝術大學 === 科技藝術研究所 === 93 === Representation this notion, English of its senses is a representation, the define of the oxford latest English is: Representation is a description or depicts that. Ask for help the description or depict or think that elephant is in mind to arouse the said resist to present the similarity of the certain rest in our core neutralizing sense; For example this words:" This painting of arm reappeared because the murdered the abele." The Plato is in 《 Utopia 》 speak of the emersion, does he recognize? The painting of arm is to is a kind to reappear, because of? The painting re-appeared a superficies of article image. Say comparatively, talk about the emersion to talk about from the imitation, reflect the deeply turning of the aesthetics cerebration. Some estheticians point out, impersonating to say that always pass the realistic vies - a - vies of the expensive of the work concurrency article and have to judge out the good and bad, as a result what it authenticate is not the attribute of the art object self, but certain grow the extrinsic standard and specifications. By so doing, the imitation says that neglected the art object self to appreciate beauty the attribute and habits then and all, its only one reference train the article per se that impersonate. And address of emersion theory contain its rationality, what it pay attention to is the characteristic and capabilities that the art copies to draw the realistic rest, is the aesthetics quality of the art object self, its center of gravity at art rather than outside rest that impersonate. To look, reappear to talk about to even meet the request that aesthetics consider, because of? Does it is the concern merely to make? Reappear the outside world in token of how modal art is come of, and its inherent aesthetics law is where. Hereupon, does the emersion theory convert the verdict of the art object? An appraisal that appreciate beauty judge, not a simple similarity in kind or resemble relate to. However in the technical time, we already completely the mysterious diastrophism was, but the symbol system code can moving, we place oneself to this kind and in the elaboration multiplicity, in these multiplicities makes the self-awareness and the introspection new form. Therefore, took the above multiplicity expands result; after cultural production and the expense shape innate nature, mysteriously changed, this certainly did not mean reappeared itself already disintegrates. The reappearance was turned one kind of indefinite process, this meant the reappearance end by no means. Same, after is precisely "modernism" this noun itself, leads you to be separated from must go to cognition any is new, as well as how obtains these new things some historical understandings tense pressures which produces. The latter modernism affiliation by declared the history already ended blocks the past, therefore did have to recall the past, this moment only has "now", but could do only was with it with in. " Representation " from traditional art "imitation" Italy contains, had differently to the modern science and technology art, speaking of the Bush Asia, the new times characteristic is a simulation, also is by way of the simulation process, originally does take the physical production as the social power, now already substituted by the mark production and the proliferation, the mark then affiliation planned by these process non- limits to imitate, produces innumerable "to draw up the picture", in drew up the picture in the world, "the reappearance" itself also possibly was the nihility, does not involve any main body really, because drew up the picture to cause the real absence and then substitutes has been real, "The representation" contains in technical art Italy is "in the field", "ultra is not real", just like the symbol which the formula holds controls. I divides into three parts first chapter of busy to", the second chapter of blindness, third chapter of vast, discussed the reappearance take the oneself body work as the starting point in the technical art mechanism and the significance.
author2 顧世勇
author_facet 顧世勇
TSAI CHENG-CHU
蔡承助
author TSAI CHENG-CHU
蔡承助
spellingShingle TSAI CHENG-CHU
蔡承助
Representation of the technology arts— Absence
author_sort TSAI CHENG-CHU
title Representation of the technology arts— Absence
title_short Representation of the technology arts— Absence
title_full Representation of the technology arts— Absence
title_fullStr Representation of the technology arts— Absence
title_full_unstemmed Representation of the technology arts— Absence
title_sort representation of the technology arts— absence
publishDate 2004
url http://ndltd.ncl.edu.tw/handle/60610434599444214637
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spelling ndltd-TW-093TNUA05090012015-10-13T15:28:56Z http://ndltd.ncl.edu.tw/handle/60610434599444214637 Representation of the technology arts— Absence 科技藝術中的再現機制-失神 TSAI CHENG-CHU 蔡承助 碩士 國立臺北藝術大學 科技藝術研究所 93 Representation this notion, English of its senses is a representation, the define of the oxford latest English is: Representation is a description or depicts that. Ask for help the description or depict or think that elephant is in mind to arouse the said resist to present the similarity of the certain rest in our core neutralizing sense; For example this words:" This painting of arm reappeared because the murdered the abele." The Plato is in 《 Utopia 》 speak of the emersion, does he recognize? The painting of arm is to is a kind to reappear, because of? The painting re-appeared a superficies of article image. Say comparatively, talk about the emersion to talk about from the imitation, reflect the deeply turning of the aesthetics cerebration. Some estheticians point out, impersonating to say that always pass the realistic vies - a - vies of the expensive of the work concurrency article and have to judge out the good and bad, as a result what it authenticate is not the attribute of the art object self, but certain grow the extrinsic standard and specifications. By so doing, the imitation says that neglected the art object self to appreciate beauty the attribute and habits then and all, its only one reference train the article per se that impersonate. And address of emersion theory contain its rationality, what it pay attention to is the characteristic and capabilities that the art copies to draw the realistic rest, is the aesthetics quality of the art object self, its center of gravity at art rather than outside rest that impersonate. To look, reappear to talk about to even meet the request that aesthetics consider, because of? Does it is the concern merely to make? Reappear the outside world in token of how modal art is come of, and its inherent aesthetics law is where. Hereupon, does the emersion theory convert the verdict of the art object? An appraisal that appreciate beauty judge, not a simple similarity in kind or resemble relate to. However in the technical time, we already completely the mysterious diastrophism was, but the symbol system code can moving, we place oneself to this kind and in the elaboration multiplicity, in these multiplicities makes the self-awareness and the introspection new form. Therefore, took the above multiplicity expands result; after cultural production and the expense shape innate nature, mysteriously changed, this certainly did not mean reappeared itself already disintegrates. The reappearance was turned one kind of indefinite process, this meant the reappearance end by no means. Same, after is precisely "modernism" this noun itself, leads you to be separated from must go to cognition any is new, as well as how obtains these new things some historical understandings tense pressures which produces. The latter modernism affiliation by declared the history already ended blocks the past, therefore did have to recall the past, this moment only has "now", but could do only was with it with in. " Representation " from traditional art "imitation" Italy contains, had differently to the modern science and technology art, speaking of the Bush Asia, the new times characteristic is a simulation, also is by way of the simulation process, originally does take the physical production as the social power, now already substituted by the mark production and the proliferation, the mark then affiliation planned by these process non- limits to imitate, produces innumerable "to draw up the picture", in drew up the picture in the world, "the reappearance" itself also possibly was the nihility, does not involve any main body really, because drew up the picture to cause the real absence and then substitutes has been real, "The representation" contains in technical art Italy is "in the field", "ultra is not real", just like the symbol which the formula holds controls. I divides into three parts first chapter of busy to", the second chapter of blindness, third chapter of vast, discussed the reappearance take the oneself body work as the starting point in the technical art mechanism and the significance. 顧世勇 2004 學位論文 ; thesis 34 zh-TW