Refinement and Transformation - My Concepts and Practice on Music Composing

• Main Authors: JEN, Chen-Hui, 任真慧
• Other Authors: PAN, Huang-Long
• Format: Others
• Language: zh-TW
• Published: 2005
• Online Access: http://ndltd.ncl.edu.tw/handle/e6nf54

碩士 === 國立臺北藝術大學 === 音樂學系研究所 === 93 === In this thesis, composing specifically means to complete “an acoustic structure in a time period” which is constructed by both the sounds and music itself. Being an organic unity, it owns certain logic, context and surface that can be listened to, analyzed, or interpreted. Regarding self-sufficiency of music as a prerequisite, the thesis consists three chapters, which are Refinement, Transformation, and Demonstration of Composition. According to hierarchical steps and levels, I try to find out several aspects on music composing, such as the collection and refinement of the materials and thinking, as well as how to transform them into music. No matter what the initial intention is, the composition must achieve itself as music. Hence I’ll induce and analyse their possibility and process, proving by the composition. Introduction Chapter One Refinement: Initial Intention of Music Creation 　　I Inspiration 　　II Thought and Design 　　III Musical Ideas Chapter Two Transformation: Formation, Construction, and Completion of Music 　　I Transformation of Shape 　　II Transformation of Condition 　　III Transformation of Acoustic Sounds 　　IV Diverse Levels and Surface of Transformation Chapter Three Demonstration of Composition: Sample as “What’s Twinkling in the Distance” 　　I Form and Introduction 　　II Pitch Set and Harmonic System 　　III Rhythm, Pulse, and Figure 　　IV Timbre, Instrumentation, Texture, and Sound Combination 　　V Expression of Spirit and Concept Summary