| Summary: | 碩士 === 國立臺北藝術大學 === 音樂學系研究所 === 93 === In this thesis, composing specifically means to complete “an acoustic structure in a time period” which is constructed by both the sounds and music itself. Being an organic unity, it owns certain logic, context and surface that can be listened to, analyzed, or interpreted. Regarding self-sufficiency of music as a prerequisite, the thesis consists three chapters, which are Refinement, Transformation, and Demonstration of Composition. According to hierarchical steps and levels, I try to find out several aspects on music composing, such as the collection and refinement of the materials and thinking, as well as how to transform them into music. No matter what the initial intention is, the composition must achieve itself as music.
Hence I’ll induce and analyse their possibility and process, proving by the composition.
Introduction
Chapter One Refinement: Initial Intention of Music Creation
I Inspiration
II Thought and Design
III Musical Ideas
Chapter Two Transformation: Formation, Construction, and Completion of Music
I Transformation of Shape
II Transformation of Condition
III Transformation of Acoustic Sounds
IV Diverse Levels and Surface of Transformation
Chapter Three Demonstration of Composition: Sample as “What’s Twinkling in the Distance”
I Form and Introduction
II Pitch Set and Harmonic System
III Rhythm, Pulse, and Figure
IV Timbre, Instrumentation, Texture, and Sound Combination
V Expression of Spirit and Concept
Summary
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