“the Technological Object” or “the Digital Concept”﹘To See the Exhibition of‘Simulation’from the points of Ideology of New Media Art in Taiwan

碩士 === 臺南藝術學院 === 藝術史與藝術評論研究所 === 93 === In recent years, with the popularization of technological and digital tools, people change their way of cognition and logical thinking. On the other hand, the experiences of applying technological and digital tools lead people to face and understand new media...

Full description

Bibliographic Details
Main Authors: Liao Yen Chun, 廖彥鈞
Other Authors: 孫淳美
Format: Others
Language:zh-TW
Published: 2004
Online Access:http://ndltd.ncl.edu.tw/handle/58592386918462258492
id ndltd-TW-093TNCA0545003
record_format oai_dc
spelling ndltd-TW-093TNCA05450032015-10-13T15:28:56Z http://ndltd.ncl.edu.tw/handle/58592386918462258492 “the Technological Object” or “the Digital Concept”﹘To See the Exhibition of‘Simulation’from the points of Ideology of New Media Art in Taiwan 「科技物件」或「數位概念」﹘由台灣科技藝術之意識形態看「造境」一展 Liao Yen Chun 廖彥鈞 碩士 臺南藝術學院 藝術史與藝術評論研究所 93 In recent years, with the popularization of technological and digital tools, people change their way of cognition and logical thinking. On the other hand, the experiences of applying technological and digital tools lead people to face and understand new media art. Thus, this text regarded the cognition that is set up under the life of technological tool as the starting points to observe the transition of ideology of Taiwan’s new media art. The research will discuss some important facts that affect the development of arts including the changes of cultural environment, and ideology of the relevant art creators and commentators concern about. Meanwhile, conclude every stage of the thinking points and the formation of creative standings.From this it shows clearly that people get use to think according to the law of structure for a long time. However, as the going of the new media arts and the Internet, many people are familiar to get knowing things from a huge amount of variation and moving messages by digital tools of technology. The research shows the ideologies set out from the former and the latter in term of “the Technological Object” and “the Digital Concept”. In the course of discussing, the research presents multiple outlooks transformed from the standpoints base on these two dimensions at first. Next, as to actualize the concepts mentioned above and to face the thoughts of arts, try to comment “Simulation: The Poetics of Imaging in the Technology Age” exhibition, an co-exhibition of art creators of young and old generations, in such an idea. It proposes the artists to think positively about the expression of modern images. Under such a way, the ideologies of the works created under different environments shows great contrast. Through comments, to state how the two kinds of thinking ideology works in the way of art creation.Then recommend that if one wants to understand the meaning of the works, while looking at new media arts, must have thought consciously between '' the technological object '' and '' the digit concept '' that influenced on art creation. 孫淳美 2004 學位論文 ; thesis 125 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 臺南藝術學院 === 藝術史與藝術評論研究所 === 93 === In recent years, with the popularization of technological and digital tools, people change their way of cognition and logical thinking. On the other hand, the experiences of applying technological and digital tools lead people to face and understand new media art. Thus, this text regarded the cognition that is set up under the life of technological tool as the starting points to observe the transition of ideology of Taiwan’s new media art. The research will discuss some important facts that affect the development of arts including the changes of cultural environment, and ideology of the relevant art creators and commentators concern about. Meanwhile, conclude every stage of the thinking points and the formation of creative standings.From this it shows clearly that people get use to think according to the law of structure for a long time. However, as the going of the new media arts and the Internet, many people are familiar to get knowing things from a huge amount of variation and moving messages by digital tools of technology. The research shows the ideologies set out from the former and the latter in term of “the Technological Object” and “the Digital Concept”. In the course of discussing, the research presents multiple outlooks transformed from the standpoints base on these two dimensions at first. Next, as to actualize the concepts mentioned above and to face the thoughts of arts, try to comment “Simulation: The Poetics of Imaging in the Technology Age” exhibition, an co-exhibition of art creators of young and old generations, in such an idea. It proposes the artists to think positively about the expression of modern images. Under such a way, the ideologies of the works created under different environments shows great contrast. Through comments, to state how the two kinds of thinking ideology works in the way of art creation.Then recommend that if one wants to understand the meaning of the works, while looking at new media arts, must have thought consciously between '' the technological object '' and '' the digit concept '' that influenced on art creation.
author2 孫淳美
author_facet 孫淳美
Liao Yen Chun
廖彥鈞
author Liao Yen Chun
廖彥鈞
spellingShingle Liao Yen Chun
廖彥鈞
“the Technological Object” or “the Digital Concept”﹘To See the Exhibition of‘Simulation’from the points of Ideology of New Media Art in Taiwan
author_sort Liao Yen Chun
title “the Technological Object” or “the Digital Concept”﹘To See the Exhibition of‘Simulation’from the points of Ideology of New Media Art in Taiwan
title_short “the Technological Object” or “the Digital Concept”﹘To See the Exhibition of‘Simulation’from the points of Ideology of New Media Art in Taiwan
title_full “the Technological Object” or “the Digital Concept”﹘To See the Exhibition of‘Simulation’from the points of Ideology of New Media Art in Taiwan
title_fullStr “the Technological Object” or “the Digital Concept”﹘To See the Exhibition of‘Simulation’from the points of Ideology of New Media Art in Taiwan
title_full_unstemmed “the Technological Object” or “the Digital Concept”﹘To See the Exhibition of‘Simulation’from the points of Ideology of New Media Art in Taiwan
title_sort “the technological object” or “the digital concept”﹘to see the exhibition of‘simulation’from the points of ideology of new media art in taiwan
publishDate 2004
url http://ndltd.ncl.edu.tw/handle/58592386918462258492
work_keys_str_mv AT liaoyenchun thetechnologicalobjectorthedigitalconcepttoseetheexhibitionofsimulationfromthepointsofideologyofnewmediaartintaiwan
AT liàoyànjūn thetechnologicalobjectorthedigitalconcepttoseetheexhibitionofsimulationfromthepointsofideologyofnewmediaartintaiwan
AT liaoyenchun kējìwùjiànhuòshùwèigàiniànyóutáiwānkējìyìshùzhīyìshíxíngtàikànzàojìngyīzhǎn
AT liàoyànjūn kējìwùjiànhuòshùwèigàiniànyóutáiwānkējìyìshùzhīyìshíxíngtàikànzàojìngyīzhǎn
_version_ 1717765519294070784