| Summary: | 碩士 === 中國文化大學 === 藝術研究所美術組碩士在職專班 === 93 === Because Kung Hsien was existing in late Ming and early Ch’ing, the multiple dynamic time and rapidly changing environment, there is a strong personal artistic style in Kung Hsien’s paintings﹘“when steady meeting unsteady”. Althought there are many artists like as four Wangs、Wu、Wun outstanding in that art area, Kung Hsien also become famous for his unordinary artistic style and is very different with the artists of past at that changing time. He is the first one in the ‘eight masters in Chin-ling’, and also effect the painting style until now. The second chapter is to introduce Kung Hsien’s growth process and the background of that time, so it can help us to understand the relationship between his painting style and that time that effect his artistic thought and painting style. The third chapter probes into Kung Hsien’s artistic style of timeness that he not only follows past artists but also renews them.The fourth chapter is to analyze the characters of “white-Kung” and “black-Kung”, and the meanings of his paintings.
The fifth chapter is to analyze the painting theory of Kung Hsien. The sixth chapter is to introduce the influences of Kung Hsien’s artistic style, so can make us understand that to be a modern artist, to know the continuing history from past to now is very important. The seventh chapter is to conclude the above all.
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