THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING

碩士 === 國立臺灣藝術大學 === 造形藝術研究所 === 93 === THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING Abstract Art originates in life. Due to different time and space and different thinking art has got different interpretations. The writer’s ardent love of the earth and great concern...

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Main Authors: LIN. TSAI-CHEN, 林再振
Other Authors: 蘇峰男
Format: Others
Language:zh-TW
Published: 2005
Online Access:http://ndltd.ncl.edu.tw/handle/87201867490908802696
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spelling ndltd-TW-093NTUA05800522015-10-13T11:39:45Z http://ndltd.ncl.edu.tw/handle/87201867490908802696 THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING 月世界山形風貌與水墨畫境的探索 LIN. TSAI-CHEN 林再振 碩士 國立臺灣藝術大學 造形藝術研究所 93 THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING Abstract Art originates in life. Due to different time and space and different thinking art has got different interpretations. The writer’s ardent love of the earth and great concern for Mother Nature, just like that of post-modernistic thinking, deems that human beings should make profound retrospection of and show deep concern over the natural environments they are living upon The special geographical views, together with the seasonal changes attract the writer’s concern and interest, deeming it as a medium of experimentation and exploration in black-and-white drawing. At the same time, I could also somewhat express my personal feelings towards the land and my tespect of life Looking at the development of the landscape paintings from the vertical point of point of view and also from the horizontal view-point of their deep contents analysis, the outstanding forefathers of ours, almost without any exceptions, have very much to do with their profound exploring of their actual life and culture. Although sketches are not everything of their life, yet they are the best means of their creations. It is only through sketchings that the painters are enabled to have a better understanding of Mother Nature and have an infurung (情景交融) into Her, which is a big challenge for the Writer to explore deeply, which is also the main axis of the painter’s in his idea of creation. The geological features of ”the Moon’s World” belong to that of the blue cretaceous, commonly called ‘the bad geometry of chalk soil”, with a very high PH value With no plants growing upon it, and while it rains, if will become a world of mud and when it is dry it will turn into a world of stones. In addition to all these, due to over human explorations, it presents all the sharp and pointed hilltops all bare and looking ugly. Situated in such surroundings, you feel as if you were placed in a fantastic. cold world. Within the area, with the seasonal changes of the colors of the surrounding, thorny bamboos, in addition to the their changing colors at the sunrise and the sunset, the whole forest turning into a fantastic, mystifying labyrinthian world. It is only though deep observations and explorations that we are able to catch its outside features. The Writer just hopes that through his incessant explorations by means of the black-and-white drawings, by absorbing whatever the preceding painters having done and then turning it into a brand-new creation a new life as well as a new interpretation of the whole surroundings of ”the Moon’s World” could be represented. 蘇峰男 2005 學位論文 ; thesis 121 zh-TW
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description 碩士 === 國立臺灣藝術大學 === 造形藝術研究所 === 93 === THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING Abstract Art originates in life. Due to different time and space and different thinking art has got different interpretations. The writer’s ardent love of the earth and great concern for Mother Nature, just like that of post-modernistic thinking, deems that human beings should make profound retrospection of and show deep concern over the natural environments they are living upon The special geographical views, together with the seasonal changes attract the writer’s concern and interest, deeming it as a medium of experimentation and exploration in black-and-white drawing. At the same time, I could also somewhat express my personal feelings towards the land and my tespect of life Looking at the development of the landscape paintings from the vertical point of point of view and also from the horizontal view-point of their deep contents analysis, the outstanding forefathers of ours, almost without any exceptions, have very much to do with their profound exploring of their actual life and culture. Although sketches are not everything of their life, yet they are the best means of their creations. It is only through sketchings that the painters are enabled to have a better understanding of Mother Nature and have an infurung (情景交融) into Her, which is a big challenge for the Writer to explore deeply, which is also the main axis of the painter’s in his idea of creation. The geological features of ”the Moon’s World” belong to that of the blue cretaceous, commonly called ‘the bad geometry of chalk soil”, with a very high PH value With no plants growing upon it, and while it rains, if will become a world of mud and when it is dry it will turn into a world of stones. In addition to all these, due to over human explorations, it presents all the sharp and pointed hilltops all bare and looking ugly. Situated in such surroundings, you feel as if you were placed in a fantastic. cold world. Within the area, with the seasonal changes of the colors of the surrounding, thorny bamboos, in addition to the their changing colors at the sunrise and the sunset, the whole forest turning into a fantastic, mystifying labyrinthian world. It is only though deep observations and explorations that we are able to catch its outside features. The Writer just hopes that through his incessant explorations by means of the black-and-white drawings, by absorbing whatever the preceding painters having done and then turning it into a brand-new creation a new life as well as a new interpretation of the whole surroundings of ”the Moon’s World” could be represented.
author2 蘇峰男
author_facet 蘇峰男
LIN. TSAI-CHEN
林再振
author LIN. TSAI-CHEN
林再振
spellingShingle LIN. TSAI-CHEN
林再振
THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING
author_sort LIN. TSAI-CHEN
title THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING
title_short THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING
title_full THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING
title_fullStr THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING
title_full_unstemmed THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING
title_sort discussion of moon world’s unique appearance and water ink painting
publishDate 2005
url http://ndltd.ncl.edu.tw/handle/87201867490908802696
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