A Study of J. S. Bach′s French Suites for Keyboard, BWV812-817:The Examples of Allemande、Courante、Sarabande and Gigue.

碩士 === 國立臺南大學 === 音樂教育學系碩士班 === 93 === French Suites is one of the three major keyboard suites of J. S. Bach. The diverse dance style, streamlined and simple structure and skills makes it valuble in teaching. The core dances of Bach’s keyboard works include allemande, courante, sarabande and gigue...

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Main Authors: Hui-fang Wu, 吳慧芳
Other Authors: Ching-jen Wu
Format: Others
Language:zh-TW
Published: 2005
Online Access:http://ndltd.ncl.edu.tw/handle/20750426246998669969
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spelling ndltd-TW-093NTNT52470032017-06-18T04:27:07Z http://ndltd.ncl.edu.tw/handle/20750426246998669969 A Study of J. S. Bach′s French Suites for Keyboard, BWV812-817:The Examples of Allemande、Courante、Sarabande and Gigue. 巴赫法國組曲探究(BWV812~817)─以阿勒曼舞曲、庫朗舞曲、薩拉邦舞曲及吉格舞曲為例 Hui-fang Wu 吳慧芳 碩士 國立臺南大學 音樂教育學系碩士班 93 French Suites is one of the three major keyboard suites of J. S. Bach. The diverse dance style, streamlined and simple structure and skills makes it valuble in teaching. The core dances of Bach’s keyboard works include allemande, courante, sarabande and gigue. These also played a significant role in the German suites of the Baroque era. The author at-tempts to discusses the historical origin and development of the four core dances in Baroque era in this study while exploring the interpretation of performance in the view of being a per-former. Therefore, the paper is divided into two major parts of historical research and per-formance interpretation. Firstly the author discusses the origin of Baroque keyboard suites and compositional background of Bach’s French Suites and then concentrates on the historical origin and passing context of the four core dances in Baroque era. Furthermore, the author uses examples of the four core dances in Bach’s French Suites books on historical develop-ment of various dances and major keyboard teaching treaties of the Eighteenth century to ex-plore the issues of performance interpretation on tempo, articulation and ornamentations of these four dances for better of performance interpretation. It is found, in the historical exploration, that most of the dances in Baroque era had gradually broken out of the accompaniment dance function and became the individual instru-mental compositions. The differences of styles from the original dances affected the per-formance interpretation. Each kind of dances has diverse characteristics in the historical de-velopment. Allemande has dance and instrumental composition style. Courante has French and Italian styles. Due to the locations, sarabande changed to slow and solemn dance from prompt and intense dance. Gigue can be divided into English, French, giga I and giga II. In performance interpretation, based on the time signatures, note values, musical struc-tures and tones of each dance, the author generalizes the basis for selection of dance tempo. In the research of articulation, in addition to considering the interval differences between notes and note values, the author also generalizes the performance design of articulation based on tempo, harmony, style, musical structure and fingering, etc. The ornamentations full of changes in various types are generalized in this paper to be widely used with particular us-age and controversial ornamentations in various performance models. Ching-jen Wu 吳京珍 2005 學位論文 ; thesis 115 zh-TW
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language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺南大學 === 音樂教育學系碩士班 === 93 === French Suites is one of the three major keyboard suites of J. S. Bach. The diverse dance style, streamlined and simple structure and skills makes it valuble in teaching. The core dances of Bach’s keyboard works include allemande, courante, sarabande and gigue. These also played a significant role in the German suites of the Baroque era. The author at-tempts to discusses the historical origin and development of the four core dances in Baroque era in this study while exploring the interpretation of performance in the view of being a per-former. Therefore, the paper is divided into two major parts of historical research and per-formance interpretation. Firstly the author discusses the origin of Baroque keyboard suites and compositional background of Bach’s French Suites and then concentrates on the historical origin and passing context of the four core dances in Baroque era. Furthermore, the author uses examples of the four core dances in Bach’s French Suites books on historical develop-ment of various dances and major keyboard teaching treaties of the Eighteenth century to ex-plore the issues of performance interpretation on tempo, articulation and ornamentations of these four dances for better of performance interpretation. It is found, in the historical exploration, that most of the dances in Baroque era had gradually broken out of the accompaniment dance function and became the individual instru-mental compositions. The differences of styles from the original dances affected the per-formance interpretation. Each kind of dances has diverse characteristics in the historical de-velopment. Allemande has dance and instrumental composition style. Courante has French and Italian styles. Due to the locations, sarabande changed to slow and solemn dance from prompt and intense dance. Gigue can be divided into English, French, giga I and giga II. In performance interpretation, based on the time signatures, note values, musical struc-tures and tones of each dance, the author generalizes the basis for selection of dance tempo. In the research of articulation, in addition to considering the interval differences between notes and note values, the author also generalizes the performance design of articulation based on tempo, harmony, style, musical structure and fingering, etc. The ornamentations full of changes in various types are generalized in this paper to be widely used with particular us-age and controversial ornamentations in various performance models.
author2 Ching-jen Wu
author_facet Ching-jen Wu
Hui-fang Wu
吳慧芳
author Hui-fang Wu
吳慧芳
spellingShingle Hui-fang Wu
吳慧芳
A Study of J. S. Bach′s French Suites for Keyboard, BWV812-817:The Examples of Allemande、Courante、Sarabande and Gigue.
author_sort Hui-fang Wu
title A Study of J. S. Bach′s French Suites for Keyboard, BWV812-817:The Examples of Allemande、Courante、Sarabande and Gigue.
title_short A Study of J. S. Bach′s French Suites for Keyboard, BWV812-817:The Examples of Allemande、Courante、Sarabande and Gigue.
title_full A Study of J. S. Bach′s French Suites for Keyboard, BWV812-817:The Examples of Allemande、Courante、Sarabande and Gigue.
title_fullStr A Study of J. S. Bach′s French Suites for Keyboard, BWV812-817:The Examples of Allemande、Courante、Sarabande and Gigue.
title_full_unstemmed A Study of J. S. Bach′s French Suites for Keyboard, BWV812-817:The Examples of Allemande、Courante、Sarabande and Gigue.
title_sort study of j. s. bach′s french suites for keyboard, bwv812-817:the examples of allemande、courante、sarabande and gigue.
publishDate 2005
url http://ndltd.ncl.edu.tw/handle/20750426246998669969
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