The Study of Taiwan Traditional Percussion Group

The Study of Taiwan Traditional Percussion Group

碩士 === 南華大學 === 美學與藝術管理研究所 === 93 === none

Bibliographic Details
Main Authors:	Ya-ting Chang, 張雅婷
Other Authors:	Chun-yi Chou
Format:	Others
Language:	zh-TW
Published:	2005
Online Access:	http://ndltd.ncl.edu.tw/handle/50460951665321296027

Similar Items

The Use of the Materials of Chinese Traditional Percussion in the Contemporary Percussion Compositions of Chinese Composers
by: Chi-Hao Hsu, et al.
Published: (2016)

Discussion of the Loss and Conservation of the Traditional Street “Percussion Instruments” in Central Taiwan
by: Jien-Hui Lai, et al.
Published: (2006)

Research on the Credit Risk Model: Comparison between Electroic and Traditional Industries in Taiwan
by: CHANG YA-TING, et al.

The Operation Strategies of Percussion Ensembles in Taiwan-A Study on School Percussion Ensembles of Taichung County
by: WU,KUO-MING, et al.
Published: (2010)

Chinese percussion instruments in the application of percussion concerto:A case study based on Su Wen-Cheng “Three movements of Chinese Drum”
by: Lin, Ya-Hsueh, et al.
Published: (2011)

Analysis and Interpretation of John Psathas’s One Study One Summary for Marimba junk Percussion and Digital Audio
by: Chang,Ying-Ting, et al.
Published: (2018)

An exploration of Thai traditional music for Western percussion instruments
by: Yannavut, Wannapha
Published: (2016)

WEI-TING CHANG PERCUSSION RECITAL WITH A SUPPORTING PAPER ANALYSIS AND INTERPRETATION ON WEN-CHI TSAI’S OMBRE POUR PERCUSSION DUO
by: Chang,Wei-Ting, et al.
Published: (2017)

Development of Taiwan Aboriginal of Amis percussion music － A Study of the Amis Kakeng Musical Group
by: Xao-En Tseng, et al.
Published: (2014)

The creation of an ensemble : NorthArc Percussion Group
by: Saetre, Sindre
Published: (2012)

Action Research of Recorder Teaching with Percussion－An example of SCHS
by: Chiu-ya Yu, et al.
Published: (2009)

The Characteristic Analysis of Taiwanese Groups of Percussion Students/ Trainees.Take the Ju Percussion Group in Hsin-Chu and Miao-Li areas for example
by: Ching-Hsien Huang, et al.
Published: (2012)

A Study of the Relationship Between Traditional Peking Opera and Contemporary Western Percussion Music in Mu Kuei-Yin in Percussion by Chien-Hui Hung
by: Streng, Isabelle Huang
Published: (2012)

A Disccussion on the Instrumental Theater of “Succession Percussion Group”
by: Chen, yi-lin, et al.
Published: (2016)

The Analysis and Interpretation of Wan-Jen Huang’s Percussion Duet “Intersect”
by: Ya-Wei Lin, et al.
Published: (2013)

The Interpretations and Analyses of Chinese Traditional Source Materials In Solo Percussion Works
by: Yun-Ju Chou, et al.
Published: (2010)

An Entrepreneurial Case Study on "Ten Drum Art Percussion"
by: Kai-Chi Chang, et al.
Published: (2008)

A Study on the Historical Development of Percussion in Taiwan since 1980s
by: Hwang Kuen-Yean, et al.

Tradition and Innovation in Brazilian Popular Music: Keyboard Percussion Instruments in Choro
by: Duggan, Mark
Published: (2011)

Tradition and Innovation in Brazilian Popular Music: Keyboard Percussion Instruments in Choro
by: Duggan, Mark
Published: (2011)

Movement pattern variability in stone knapping: implications for the development of percussive traditions.
by: Robert Rein, et al.
Published: (2014-01-01)

A Study of Percussion Acousticin Béla Bartok''s Sonata for Two Pianos and Percussion
by: Mei-I Chen, et al.
Published: (2008)

Non-traditional instruments in a traditional role: three works for percussion ensemble since 1960
by: Reeder, Martha Joy
Published: (1980)

World Percussion Approaches in Collegiate Percussion Programs: A Mixed-methods Study
by: Hernly, Patrick Michael
Published: (2012)

Percussion recital
by: Olson, Lawrence Gerard
Published: (2010)

The Metal Percussion Instruments used in Contemporary Chinese and Western Percussion Music: In the Cases of Deconstruction II , Drama, Parade, Sketchbook III
by: Chang, Ying-Hsin, et al.
Published: (2013)

The Role of Turkish Percussion in the History and Development of the Orchestral Percussion Section
by: Bugg, D. Doran
Published: (2003)

A Preliminary Study on the Application of Northern TaiwanChristian Church for Percussion
by: Tsung-Shih Lai, et al.
Published: (2010)

A Study on Development and Business Strategies of Percussion Teaching Institution in Taiwan
by: Lin, Yi-Hsuan, et al.
Published: (2015)

A Research of Teaching Percussion Performing in Ju Percussion Music School
by: Shih-Wei Liu, et al.
Published: (2011)

Research on the Marketing Strategies of Nonprofit Organization--A Study of JU PERCUSSION GROUP
by: Yu-Shan Tsai, et al.
Published: (2012)

The Research of Percussion Notation in the Twentieth Century
by: Chen Ting-Cheng, et al.
Published: (2005)

Percussion Notation in the 20th Century
by: Yin-Yu Cheng, et al.
Published: (2005)

A Research on the Percussion Music of “Hakka Ba-in” in Northern Taiwan
by: Wen-Fang Chiu, et al.
Published: (2010)

Tonal Control and Interpretation of indefinite Pitch Percussion Instruments in Multiple Percussion Works
by: Yun-Ju Chou, et al.
Published: (2017)

A Reserch of the Percussion-Ensemble Teaching Methods of the Ju Percussion Music School
by: Ching-Hu Yang, et al.
Published: (2011)

The Emotion Vibrates between Deliberation of Chinese Traditional Source Materials In Solo Percussion Works
by: Tsui-Yun Lee, et al.
Published: (2017)

Auscultatory percussion of heart
by: Girdwood, James
Published: (1909)

Nonet for Percussion and Tape
by: Crowley, Timothy R. (Timothy Robert)
Published: (1993)

Notation for Percussion Instruments
by: Spohn, Charles L.
Published: (1953)