| Summary: | 碩士 === 國立交通大學 === 音樂研究所 === 93 === This thesis consists of two parts: the orchestral composition “Concealing Thoughts” and the essay expounding the ideas, methods and theoretical studies about this work.
The work is scored for an orchestra with double winds. It is inspired by the regret meanings of Japanese words “Can Nian”, the beauty of vocabulary and the imagination of space and time, then transfers to the context of “Mo-Zhao Chan”. Under the clearness and calmness, without self-will, space and time, experiences life at peace and lucidness.
The essay is arranged in five chapters: chapter one introduces the ideas and concepts in reference to the composition, chapter two and three presents a theoretical study on music perspectives, and describes in details some issues and compositional techniques employed in “Concealing Thoughts”, chapter four is analysis of work and chapter five is the conclusion.
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