舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例
碩士 === 國立臺北藝術大學 === 舞蹈表演研究所 === 92 === The paper discusses and analyzes the dance and theatre elements used in the graduation concert, exploring the interaction between the performer and external and internal influences, as well as the changes of the performer during the preparation process. The re...
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ndltd-TW-092TNUA07550012016-06-15T04:17:08Z http://ndltd.ncl.edu.tw/handle/04463737279030157724 舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例 Wei, Ching-ju 魏沁如 碩士 國立臺北藝術大學 舞蹈表演研究所 92 The paper discusses and analyzes the dance and theatre elements used in the graduation concert, exploring the interaction between the performer and external and internal influences, as well as the changes of the performer during the preparation process. The report also shows how these changes have been reflected in the performance. In chapter one and two, the report focuses on the administration work of the production, and the how the images and texts of the works are represented. In chapter three and four, by cross-examination of references and experiences, showing how the performer’s physical and psychological condition are affected by external and internal variants. The report emphasizes on the interplay of interpretation of characters and the development of the body. The afterthoughts are discussed in the conclusion of the report. 古名伸 2004 學位論文 ; thesis 39 zh-TW |
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碩士 === 國立臺北藝術大學 === 舞蹈表演研究所 === 92 === The paper discusses and analyzes the dance and theatre elements used in the graduation concert, exploring the interaction between the performer and external and internal influences, as well as the changes of the performer during the preparation process. The report also shows how these changes have been reflected in the performance. In chapter one and two, the report focuses on the administration work of the production, and the how the images and texts of the works are represented. In chapter three and four, by cross-examination of references and experiences, showing how the performer’s physical and psychological condition are affected by external and internal variants. The report emphasizes on the interplay of interpretation of characters and the development of the body. The afterthoughts are discussed in the conclusion of the report.
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古名伸 |
author_facet |
古名伸 Wei, Ching-ju 魏沁如 |
author |
Wei, Ching-ju 魏沁如 |
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Wei, Ching-ju 魏沁如 舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例 |
author_sort |
Wei, Ching-ju |
title |
舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例 |
title_short |
舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例 |
title_full |
舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例 |
title_fullStr |
舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例 |
title_full_unstemmed |
舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例 |
title_sort |
舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例 |
publishDate |
2004 |
url |
http://ndltd.ncl.edu.tw/handle/04463737279030157724 |
work_keys_str_mv |
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