舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例

碩士 === 國立臺北藝術大學 === 舞蹈表演研究所 === 92 === The paper discusses and analyzes the dance and theatre elements used in the graduation concert, exploring the interaction between the performer and external and internal influences, as well as the changes of the performer during the preparation process. The re...

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Main Authors: Wei, Ching-ju, 魏沁如
Other Authors: 古名伸
Format: Others
Language:zh-TW
Published: 2004
Online Access:http://ndltd.ncl.edu.tw/handle/04463737279030157724
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spelling ndltd-TW-092TNUA07550012016-06-15T04:17:08Z http://ndltd.ncl.edu.tw/handle/04463737279030157724 舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例 Wei, Ching-ju 魏沁如 碩士 國立臺北藝術大學 舞蹈表演研究所 92 The paper discusses and analyzes the dance and theatre elements used in the graduation concert, exploring the interaction between the performer and external and internal influences, as well as the changes of the performer during the preparation process. The report also shows how these changes have been reflected in the performance. In chapter one and two, the report focuses on the administration work of the production, and the how the images and texts of the works are represented. In chapter three and four, by cross-examination of references and experiences, showing how the performer’s physical and psychological condition are affected by external and internal variants. The report emphasizes on the interplay of interpretation of characters and the development of the body. The afterthoughts are discussed in the conclusion of the report. 古名伸 2004 學位論文 ; thesis 39 zh-TW
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description 碩士 === 國立臺北藝術大學 === 舞蹈表演研究所 === 92 === The paper discusses and analyzes the dance and theatre elements used in the graduation concert, exploring the interaction between the performer and external and internal influences, as well as the changes of the performer during the preparation process. The report also shows how these changes have been reflected in the performance. In chapter one and two, the report focuses on the administration work of the production, and the how the images and texts of the works are represented. In chapter three and four, by cross-examination of references and experiences, showing how the performer’s physical and psychological condition are affected by external and internal variants. The report emphasizes on the interplay of interpretation of characters and the development of the body. The afterthoughts are discussed in the conclusion of the report.
author2 古名伸
author_facet 古名伸
Wei, Ching-ju
魏沁如
author Wei, Ching-ju
魏沁如
spellingShingle Wei, Ching-ju
魏沁如
舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例
author_sort Wei, Ching-ju
title 舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例
title_short 舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例
title_full 舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例
title_fullStr 舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例
title_full_unstemmed 舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例
title_sort 舞蹈表演中角色詮釋與身體探索之歷程;以《我與我的延展數次錯身》為例
publishDate 2004
url http://ndltd.ncl.edu.tw/handle/04463737279030157724
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