The Dialogues Between My Poems and Paintings

• Main Author: 陶逸豐
• Other Authors: 吳長鵬
• Format: Others
• Language: zh-TW
• Published: 2004
• Online Access: http://ndltd.ncl.edu.tw/handle/17216170754620036000

碩士 === 臺北市立師範學院 === 視覺藝術研究所 === 92 === 　　Modern Poetry and modern paintings are one of my necessary genres for art creation. No matter when I write a poem or paint a painting, the two textualities would intervene into my thinking with their own unique languages. Therefore, when the poem or the painting is finished, I often feel un-eased with the work, which is limited with only one textuality. 　　Most of time, when I read the previous poems and paintings related works, I feel almost “Paintings prior to Poems” mode. Here I am trying to draw poems and paintings into the same level in the processes of pregnancy and creation, in order to change the traditional creating mode of “ Paintings as the axle than poems”. 　　For deducting the Psychical Distance between “I” and “Society”, in the aspects of creating sources and materials, I choose “Caring the society phenomena” as my main ideas and muses. Joseph Beuys said, “ If an art work can not beat the core of society culture and affect the whole society culture to promote and innovate itself, this is not an art work.” The insistence of art works igniting “Society Heat” to implement “Society Healing” is my central idea for this research ” Intertextuality Creation”.