The Research of the Hakka Reformed Theatrical Tune Pattern: Exemplifed with "Fault-Faultless" of the Rom Shing Hakka Opera Troupe in 2003

• Main Authors: Ho, Tung-Chin, 何東錦
• Other Authors: Chiang, Yu-Ring
• Format: Others
• Language: zh-TW
• Published: 2004
• Online Access: http://ndltd.ncl.edu.tw/handle/82200488986798587323

碩士 === 東吳大學 === 音樂學系 === 92 === For the recent years, the research about the hakka theater plays most of all will put much emphasis on the collection about the historic data or the present situation. In the study about the hakka reformed theatric articulation, there are already experts to do the explicit research about the concepts with the accent and tone, and from the historical progress and the music itself to offer the more wholesome introduction. This essay will research the character about the oration of the theatrical plays, and probe the relations about vocal tones and the melody intonation from the performance of the Rom Shing Hakka Opera Troupe “Fault-Faultless” in 2003, and to go further to probe the language vocal articulation and the relationship with the melody tone, and to study the words with the accent and the practical usage of the functional words and the usages of the under songs. The arrangement of the chapters of the essay should be classified as: Chapter 1: The introduction: including the motive of the research and the purpose, the people to be investigated, the field of the research and the investigation of the data. Chapter 2: The introduction of the reformed tone of the hakka plays, the generalization of the headstream, the other kinds of the plays, and the outer stage performance and the function of the background music. Chapter 3: The research about the tone of the tune pattern of Mountain Songs, the tone of the Tea-leaf Picking play, and the tone of the minor keys, and also their characteristics, also the cadre of the sounds, tempo, the basic forms, melodies, and the libretto to make the arrangement of their musical traits. Chapter 4: To give an example from the play “Fault-Faultless”, to begin from the plot of the usage of the tone, the preparation before the performance, and the analysis of the tone of the sounds. Chapter 5: To begin with the relationships between the language and the music, also to discuss the actors how to follow the accent of the following of the words, and the rhyme of tune pattern. Chapter6: To make an example from the play “Fault-Faultless”, and to give the conclusion and the comment on the articulation of the play. According to the research and the relationship between the sounds and the music, the actors to perform "Old Mountain Songs", "Mountain Songs" and "Plain Melodies", their tempo of the performance would slower, one single word with many sounds, and the melody with many functional words .The relationship between the tone of the sound and the tone of the melody mostly can follow the theory of the articulation to follow the words to perform the tune pattern. The tone of the melody not only is influenced by the intonation of the language but also the patterns of the tune pattern and the styles of the actors. The usages of the functional words and the inserted words will be generalized by the practical performance of this play.