Researches on Bonnard''s Stroke in oil Painting

• Main Authors: Yao,Chia-Liang, 姚佳良
• Other Authors: 許坤成
• Format: Others
• Language: zh-TW
• Published: 2004
• Online Access: http://ndltd.ncl.edu.tw/handle/27324544268672937720

碩士 === 中國文化大學 === 藝術研究所 === 92 === Chapter 1 Introduction With overemphasis on the appearance, I felt my utilization of stroke and lines was weak, and my work was unable to express the form of vitality. Therefore, I chose to study Bonnard （1867─1947）to learn how to free my work from the existing boundaries. Chapter 2 Background of Bonnard The tranquil art environment experienced changes, especially in the thirty-year period after 19th century. The development of art schools came one after another, and gave birth to talented artists continuously. Bonnard was one of the elites during that period. Chapter 3 The background and uniqueness of Bonnard’s stroke in oil painting Bonnard absorbed, integrated, and digested the strength of many art masters, such as Corot、Monet、Renoir、Degas,and Lautrec, to develop his own characteristics. Chapter 4 Concept foundation of painting Aside from learning from Bonnard and Delacroix, I discussed my own thoughts on use of creativity, art creation inspired from the soul, inspiration in art creation, and functionality of arts. Chapter 5 Painting by Yao Chia Liang My paintings express the beauty of life in tranquility, and the sense of happiness from the care of family and friends. The themes were derived from feelings toward the life and nature. Chapter 6 Conclusion Bonnard observed this world with amazingly keen sense, and created art pieces with creativity. It was his way to retain his initial ideas. I followed the same manner in art creation, and solved a number of blind points previously occurred in the art creation process.