| Summary: | 碩士 === 國立臺灣師範大學 === 設計研究所 === 92 === Post-modernism is in itself an ambiguous, highly complicated culture. It originated in the studies of English and American literature in the 1950s, flourished in the architectural design in the 1960s and prevailed in the studies of Humanism in the 1980s. According to Ihab Hassan's point of view, post-modernism encompasses eleven diverse characteristics－ Indeterminacy, frabmentation , decanonization , selflessness , Depthlessness, The unpresentable , Unrepresentable, Irony, Hybridization, Carnivallization, Perfomance, Participation, Constructionism, and Immanence. From the characteristic of Uncertainty, we can see the crazy, disobedient and the immense power that can overturn everything of Post-modernism. This kind of power is still influential in every aspect. What post-modernism is looking for is "change." Therefore, everything will definitely show its uncertainty whenever it is in a changeable and moving state.
It is not uncommon to find the uncertainty of Post-modernism in the digital image design. The research is nurtured by the statements and thoughts of the Post-modern theorists. The research ranges from the Post-modern origin, characteristics, and the chaos of arts in scholars' point of view to Post-modern graphic design new wave. In addition, corresponding to the analysis of Post-modern uncertainty in the design art works, the research extends to the creation and application of the digital image design. Based upon a series of image creation, the topic of this thesis is “Time & Impression.” By means of the six subtopics like time, memory, fate, hello/goodbye, the passage of time, and the moment, my research is aimed to unify and practice the seven techniques of photographic atmosphere, ambiguous uncertainty, deconstruction and collage,fragment and discontinuity,complexity and overlap, unformed, drawing and abstraction and therefore expresses the ambiguous beauty of the Post-modern uncertainty.
|
|---|
