李梅樹人物畫研究

• Main Authors: PENG YU TOU, 彭玉斗
• Other Authors: 陳景容
• Format: Others
• Language: zh-TW
• Published: 2004
• Online Access: http://ndltd.ncl.edu.tw/handle/06646719318863028104

碩士 === 國立臺灣師範大學 === 美術系在職進修碩士學位班 === 92 === Summary This study, based on not only the historical method of investigation and the analytical method of theory but also analytical method of style and comparative method of studying, intents to realize the expression in Mei-shu Li’s figure paintings. On the other hand, the author tries to find out the course of Li’s various styles in his figure paintings changing with time. In general, here are the main purposes of this study. First, exploring the process of Mei-shu Li’s artistic development. Second, analyzing the style change of Li’s figure paintings and to explore the art form of that. Third, making a comparison between Li and other artists. Fourth, realizing Li’s devotion and contribution to art education and artistic activities. Fifth, referring to the results above, the author comprehends the change process of arrangement of presentation, coloring, and skills in his figure paintings in every stage, which the author could make reference to when studying the first generation of western-style painters. The following are what the research has revealed, First, Li’s background, his own interests, and the study in Japan have exerted much influence on Li’s creations. Second, there is a deep relationship between the form of the first generation of western-style painters’ artworks and the art community in Taiwan during the Japanese colonial period. Third, the revealing of Li’s unique “photo-realism style paintings” unfolded another new page of methods to display figure paintings. Fourth, Li played an active role and was so willing to be involved in art education and artistic activities in Taiwan. From the statements above, we can reach the conclusions below, First, Li not only kept an eye on the observation of local phenomena under the academic training to record his life but also put the people and the events around him in his artworks. Second, the arrangement, light and shade, and coloring , shown in the figure paintings, are the most important elements that Li insisted. Third, realistic style is Li’s usual “language” in his figure paintings. Fourth, the expression of running water, light and shadow in ”photo-realism style paintings” has accomplished Li’s status in the history of art. Key terms: Mei-shu Li Zu-shi Temple Photo-realism style paintings Figure paintings