| Summary: | 碩士 === 國立彰化師範大學 === 藝術教育研究所 === 92 === Abstract
Taiwanese artist Huang Tu-Shui is the first one who studied western sculpture and got into Empirical Fine Arts Exhibition in Japan. During his learning period, he was affected by Japanese modern aestheticism and Taiwanese traditional art. His sculpture passed through traditional art to modern ones.
Huang censured the traditional art value and denied the essence of Taiwanese sculpture. He only accepted the aesthetic of Japanese education and used academic skills to describe the scenes of Taiwan precisely. He presented the realistic character of Taiwanese “colonization product”. He successfully made his image “New Taiwan” that became Japanese “local” ones.
Having the “halo” of Empirical Fine Arts Exhibition, Huang devoted himself in mass media, and had good relationship among the colonizing government, royal members, and emerging class. He was referred to as a genius sculptor in Japanese governors. Therefore, Taiwan later artists copied rapidly Huang’s way. They swayed in adjusters’ style and built the characters of themselves hardly and lost their confidence in creating.
Huang’s art didn’t concern about people’s life. Those are the difficulty of Taiwan Art development in earlier twenty century. Though the content of art reflect “cultural evolution”, the artists endorsed for colonial ruling and covered up Japanese prey in Taiwan. According to history documents, the background of Taiwanese Modern Art development should be studied carefully. It should deliberate how to push“New Art”and realize the goal of the education and the exhibitions. It would correct the research of Huang’s art works nowadays and think Huang’s praise carefully. It tries to understand the significance and connotation of art under the “red burning sun”.
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