| Summary: | 碩士 === 國立成功大學 === 建築學系碩博士班 === 92 === Dancing, is one kind of many forms in the domain of art, which enables the concept of “time”to be experienced within spaces. If Architecture to be defined as certain kind of “frozen music”and the music itself to be considered as a kind of“medium” which allow us to feel the existence of spaces, imperceptibly; Architecture is also liable fully for the representation of spaces within the exact context, critically.
Rarely included into the defined range of philosophy, Dancing is usually classified into the same form of category as sculpture in art. Having the similar essential qualities in nature, the rhyme and speed; Dancing, Architecture and Music can be still segregated one from the others in each of their own different ways. Furthermore, the vivid changes of direction between the essence of motions is what really makes the Dancing stands out from the other two above said forms of arts.
With the flowing of directions in dancing which is heavily related to the extremes of our body movements, the Field is then formed and the combination and variation among all the fields creates the themes of esthetics.
The Thesis includes four major subjects in sequence as follows:
Holding Esthetic : The esthetic essentials of dancing is laid in the very true meaning of the extreme of body movements as well as the liberty motions.
Encoding Dances : To observe the both internal and external transform proceeding of dynamic movements by using modern scientific equipments to capture then obtain the accurate recording of dances.
Decoding Translation : To establish the transferring mechanism between dancing and space, presents the possible models of flowing strength and to discuss the liberty and the flexibility due to the shifting of Fields.
Spatial Forms : Finding of the establishment and variation of space and time.
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