The Performance practices of Jean Francaix''s Divertissement pour Basson et Quintette à Cordes

碩士 === 輔仁大學 === 音樂研究所 === 92 === The purpose of music is to bring the sense of hearing to the audience. Therefore, when the performer tries to touch people’s hearts by music, the first thing is to touch himself or herself. The main point of this thesis is to help the performer improve his...

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Main Authors: Yu-Hwa Cheng, 鄭鈺樺
Other Authors: Ming-Jian Fang
Format: Others
Language:zh-TW
Published: 2004
Online Access:http://ndltd.ncl.edu.tw/handle/47183936852004452869
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spelling ndltd-TW-092FJU002480112016-01-04T04:09:15Z http://ndltd.ncl.edu.tw/handle/47183936852004452869 The Performance practices of Jean Francaix''s Divertissement pour Basson et Quintette à Cordes 法朗賽『為低音管與絃樂五重奏所寫的嬉遊曲』之演奏詮釋 Yu-Hwa Cheng 鄭鈺樺 碩士 輔仁大學 音樂研究所 92 The purpose of music is to bring the sense of hearing to the audience. Therefore, when the performer tries to touch people’s hearts by music, the first thing is to touch himself or herself. The main point of this thesis is to help the performer improve his or her sense of hearing by analyzing and interpreting Jean Francaix’s masterpiece “Divertissement pour Basson et Quintette à Cordes.” Through the coordination between bassoon and strings, the practice of intonation and the different seating arrangements, which generates different sounds, the thesis then discusses the influences by the factors above. Ming-Jian Fang 方銘健 2004 學位論文 ; thesis 57 zh-TW
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language zh-TW
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description 碩士 === 輔仁大學 === 音樂研究所 === 92 === The purpose of music is to bring the sense of hearing to the audience. Therefore, when the performer tries to touch people’s hearts by music, the first thing is to touch himself or herself. The main point of this thesis is to help the performer improve his or her sense of hearing by analyzing and interpreting Jean Francaix’s masterpiece “Divertissement pour Basson et Quintette à Cordes.” Through the coordination between bassoon and strings, the practice of intonation and the different seating arrangements, which generates different sounds, the thesis then discusses the influences by the factors above.
author2 Ming-Jian Fang
author_facet Ming-Jian Fang
Yu-Hwa Cheng
鄭鈺樺
author Yu-Hwa Cheng
鄭鈺樺
spellingShingle Yu-Hwa Cheng
鄭鈺樺
The Performance practices of Jean Francaix''s Divertissement pour Basson et Quintette à Cordes
author_sort Yu-Hwa Cheng
title The Performance practices of Jean Francaix''s Divertissement pour Basson et Quintette à Cordes
title_short The Performance practices of Jean Francaix''s Divertissement pour Basson et Quintette à Cordes
title_full The Performance practices of Jean Francaix''s Divertissement pour Basson et Quintette à Cordes
title_fullStr The Performance practices of Jean Francaix''s Divertissement pour Basson et Quintette à Cordes
title_full_unstemmed The Performance practices of Jean Francaix''s Divertissement pour Basson et Quintette à Cordes
title_sort performance practices of jean francaix''s divertissement pour basson et quintette à cordes
publishDate 2004
url http://ndltd.ncl.edu.tw/handle/47183936852004452869
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