The Performance practices of Jean Francaix''s Divertissement pour Basson et Quintette à Cordes
碩士 === 輔仁大學 === 音樂研究所 === 92 === The purpose of music is to bring the sense of hearing to the audience. Therefore, when the performer tries to touch people’s hearts by music, the first thing is to touch himself or herself. The main point of this thesis is to help the performer improve his...
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| Format: | Others |
| Language: | zh-TW |
| Published: |
2004
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| Online Access: | http://ndltd.ncl.edu.tw/handle/47183936852004452869 |
| Summary: | 碩士 === 輔仁大學 === 音樂研究所 === 92 === The purpose of music is to bring the sense of hearing to the audience. Therefore, when the performer tries to touch people’s hearts by music, the first thing is to touch himself or herself.
The main point of this thesis is to help the performer improve his or her sense of hearing by analyzing and interpreting Jean Francaix’s masterpiece “Divertissement pour Basson et Quintette à Cordes.”
Through the coordination between bassoon and strings, the practice of intonation and the different seating arrangements, which generates different sounds, the thesis then discusses the influences by the factors above.
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