To discuss the relation of a object between varying with form and constructing the texture by semiotics view
碩士 === 國立雲林科技大學 === 工業設計系碩士班 === 91 === The research is using design project to correspond in theory, the topic are varying with form and texture. Using the mature product for daily use in the initial stage, we can find out the sequence between varying with form and constructing texture since design...
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ndltd-TW-091YUNT50380412016-06-10T04:15:40Z http://ndltd.ncl.edu.tw/handle/67449289037220748297 To discuss the relation of a object between varying with form and constructing the texture by semiotics view 以符號學的角度探討設計物造型變化與質感建構的關係 Tsao-chun Huang 黃兆群 碩士 國立雲林科技大學 工業設計系碩士班 91 The research is using design project to correspond in theory, the topic are varying with form and texture. Using the mature product for daily use in the initial stage, we can find out the sequence between varying with form and constructing texture since designers’ taste for using elements of form. The texture is defined as an integral feeling when people feel on the form、color and materials in the research and focus on the form. To generalize the characteristic which is the resource in the final stage of varying with form. To hit on the meaning of the object, here are three points of identification with texture of object form: 1) The unique vision on the object form, ex. Hand cutting mark, the texture of natural materials and historic or humane features. 2) To show the users or what they want to be, the specific property of texture can be show on the integral object vision whatever it is natural or artificial. 3) To show some specific style clearly, a clear style may display some specific image and value to decide the symbolizing meaning of an object. Sheng-houng Lin Tsao-hua Wang 林盛宏 王兆華 2003 學位論文 ; thesis 82 zh-TW |
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碩士 === 國立雲林科技大學 === 工業設計系碩士班 === 91 === The research is using design project to correspond in theory, the topic are varying with form and texture. Using the mature product for daily use in the initial stage, we can find out the sequence between varying with form and constructing texture since designers’ taste for using elements of form. The texture is defined as an integral feeling when people feel on the form、color and materials in the research and focus on the form. To generalize the characteristic which is the resource in the final stage of varying with form.
To hit on the meaning of the object, here are three points of identification with texture of object form: 1) The unique vision on the object form, ex. Hand cutting mark, the texture of natural materials and historic or humane features. 2) To show the users or what they want to be, the specific property of texture can be show on the integral object vision whatever it is natural or artificial. 3) To show some specific style clearly, a clear style may display some specific image and value to decide the symbolizing meaning of an object.
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author2 |
Sheng-houng Lin |
author_facet |
Sheng-houng Lin Tsao-chun Huang 黃兆群 |
author |
Tsao-chun Huang 黃兆群 |
spellingShingle |
Tsao-chun Huang 黃兆群 To discuss the relation of a object between varying with form and constructing the texture by semiotics view |
author_sort |
Tsao-chun Huang |
title |
To discuss the relation of a object between varying with form and constructing the texture by semiotics view |
title_short |
To discuss the relation of a object between varying with form and constructing the texture by semiotics view |
title_full |
To discuss the relation of a object between varying with form and constructing the texture by semiotics view |
title_fullStr |
To discuss the relation of a object between varying with form and constructing the texture by semiotics view |
title_full_unstemmed |
To discuss the relation of a object between varying with form and constructing the texture by semiotics view |
title_sort |
to discuss the relation of a object between varying with form and constructing the texture by semiotics view |
publishDate |
2003 |
url |
http://ndltd.ncl.edu.tw/handle/67449289037220748297 |
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